As mentioned before, we didn’t announce a poetry longlist mainly because there were only 50-some-odd books eligible for this year’s award, and name-checking half of them would seem to dilute the award . . .
That’s not to say that there weren’t a ton of great collections in translation that came out last year worthy of a little extra attention. In fact, I’m sure the poetry judges could name an addition half-dozen that could’ve made the list in a different year . . .
But anyway, here are the 10 titles that the fantastic people on this year’s poetry panel selected as the finalists:
Nicole Brossard, Selections. Translated from the French by various.1 (Canada, University of California)
René Char, The Brittle Age and Returning Upland. Translated from the French by Gustaf Sobin. (France, Counterpath)
Mahmoud Darwish, If I Were Another. Translated from the Arabic by Fady Joudah (Palestine, FSG)
Elena Fanailova, The Russian Version. Translated from the Russian by Genya Turovskaya and Stephanie Sandler. (Russia, Ugly Duckling Presse)
Hiromi Ito, Killing Kanoko. Translated from the Japanese by Jeffrey Angles. (Japan, Action Books)
Marcelijus Martinaitis, KB: The Suspect. Translated from the Lithuanian by Laima Vince. (Lithuania, White Pine)
Heeduk Ra, Scale and Stairs. Translated from the Korean by Woo-Chung Kim and Christopher Merrill. (Korea, White Pine)
Novica Tadic, Dark Things. Translated from the Serbian by Charles Simic. (Serbia, BOA Editions)
Liliana Ursu, Lightwall. Translated from the Romanian by Sean Cotter. (Romania, Zephyr Press)
Wei Ying-wu, In Such Hard Times. Translated from the Chinese by Red Pine. (China, Copper Canyon)
Similar to the fiction longlist, there’s a great deal of country balance here, and a lot of small press love. (Go White Pine and Zephyr!)
Similar to what we did for the fiction titles, starting next week, we’ll be featuring a book a day from this list, with all the write-ups being written by the esteemed panelists (Brandon Holmquest, Jennifer Kronovet, Idra Novey, Kevin Prufer, and Matthew Zapruder).
And as with the BTBA for fiction, the winner will be announced on March 10th at an event that will take place at Idlewild Books.
1 Here’s the complete list, which is really too long to include above without ruining the whole aesthetic of this post: Guy Bennett, David Dea, Barbara Godard, Pierre Joris, Robert Majzels and Erin Moure, Jennifer Moxley, Lucille Nelson, Larry Shouldice, Fred Wah, Lisa Weil, and Anne-Marie Wheeler.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .