As mentioned before, we didn’t announce a poetry longlist mainly because there were only 50-some-odd books eligible for this year’s award, and name-checking half of them would seem to dilute the award . . .
That’s not to say that there weren’t a ton of great collections in translation that came out last year worthy of a little extra attention. In fact, I’m sure the poetry judges could name an addition half-dozen that could’ve made the list in a different year . . .
But anyway, here are the 10 titles that the fantastic people on this year’s poetry panel selected as the finalists:
Nicole Brossard, Selections. Translated from the French by various.1 (Canada, University of California)
René Char, The Brittle Age and Returning Upland. Translated from the French by Gustaf Sobin. (France, Counterpath)
Mahmoud Darwish, If I Were Another. Translated from the Arabic by Fady Joudah (Palestine, FSG)
Elena Fanailova, The Russian Version. Translated from the Russian by Genya Turovskaya and Stephanie Sandler. (Russia, Ugly Duckling Presse)
Hiromi Ito, Killing Kanoko. Translated from the Japanese by Jeffrey Angles. (Japan, Action Books)
Marcelijus Martinaitis, KB: The Suspect. Translated from the Lithuanian by Laima Vince. (Lithuania, White Pine)
Heeduk Ra, Scale and Stairs. Translated from the Korean by Woo-Chung Kim and Christopher Merrill. (Korea, White Pine)
Novica Tadic, Dark Things. Translated from the Serbian by Charles Simic. (Serbia, BOA Editions)
Liliana Ursu, Lightwall. Translated from the Romanian by Sean Cotter. (Romania, Zephyr Press)
Wei Ying-wu, In Such Hard Times. Translated from the Chinese by Red Pine. (China, Copper Canyon)
Similar to the fiction longlist, there’s a great deal of country balance here, and a lot of small press love. (Go White Pine and Zephyr!)
Similar to what we did for the fiction titles, starting next week, we’ll be featuring a book a day from this list, with all the write-ups being written by the esteemed panelists (Brandon Holmquest, Jennifer Kronovet, Idra Novey, Kevin Prufer, and Matthew Zapruder).
And as with the BTBA for fiction, the winner will be announced on March 10th at an event that will take place at Idlewild Books.
1 Here’s the complete list, which is really too long to include above without ruining the whole aesthetic of this post: Guy Bennett, David Dea, Barbara Godard, Pierre Joris, Robert Majzels and Erin Moure, Jennifer Moxley, Lucille Nelson, Larry Shouldice, Fred Wah, Lisa Weil, and Anne-Marie Wheeler.
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .