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Approximately five minutes, the winners of this year’s Best Translated Book Awards were announced at a special celebration at Idlewild Books in New York City. Hopefully the party is raging, and the winners are enjoying themselves . . .
Competition was pretty steep for this year’s awards. The poetry committee came to a consensus rather quickly, granting the award to Elena Fanailova for The Russian Version, translated from the Russian by Genya Turovskaya and Stephanie Sandler and published by Ugly Duckling Presse.
On the fiction side of things we debated and debated for weeks. There were easily four other titles that could’ve easily won this thing. Walser, Prieto, Aira were all very strong contenders. But in the end, we gave the award to Gail Hareven for The Confessions of Noa Weber, translated from the Hebrew by Dalya Bilu and published by Melville House Press.
You can download the official 2010 BTBA Winners Press Release by clicking there. And you can visit these links for overviews of The Confessions of Noa Weber and The Russian Version.
Reviewed by Chad W. Post
When I was about two-thirds of the way through Neuman’s very ambitious, very engrossing novel, Bromance Will Evans asked me what I thought the purpose the rapist had in this book. Not who the rapist was—something that’s held in suspense. . .
Reviewed by Jennifer Marquart
“At night Amarâq is coated with a darkness as viscous as unmixed colors, neither the fjord nor the mountains, valleys, lakes, or the river exist, there is only a black mass, a void that spreads across the landscape sporadically, pressing. . .
Reviewed by John Thomas Mahany
If you’ve been following any of the recent Antoine Volodine talk going around Three Percent—both on the blog or on the podcasts—and have heard his fans wax obsessive over all his alter author-egos, you’re probably starting to feel some Volodine. . .
Reviewed by Aleksandra Fazlipour
Muireann Maguire’s Red Spectres is a stunning and engaging collection of eleven Russian gothic tales written by various authors during the early Soviet Era, all but two stories of which are featured in English for the first time ever. These. . .
Reviewed by Jeremy Osner
“The small stone plaza was floating in the midday heat. The Christ of Elqui, kneeling on the ground, his gaze thrown back on high, the part in his hair dark under the Atacaman sun—he felt himself falling into an ecstasy.. . .
Reviewed by Brendan Riley
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
Reviewed by Rachael Daum
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
Reviewed by Vincent Francone
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Reviewed by Camila Santos
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
Reviewed by Grant Barber
“South”
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
Three Percent is supported in part by the New York State Council on the Arts.
