Our first Reading the World Conversation event was Monday, and it featured Helen Anderson & Konstantin Gurevich—the translators of our recently released edition of the Russian comedic classic The Golden Calf by Ilf & Petrov. Video of whole, engaging discussion will be posted soon, but, now, it’s time to look forward:
In a few short weeks, we’ll be be taking the stage, again, to talk with renown Latin American author Horacio Castellanos Moya. Here are the details:
APRIL 12, 2010
Hawkins-Carlson Room (in Rush Rhees Library)
University of Rochester
(free and open to the public)
Horacio Castellanos Moya (Dance with Snakes, Senselessness, The She-Devil in the Mirror), widely considered among the leading contemporary Latin American writers, will discuss his work, journalism, the myth of Roberto Bolaño, and world literature in general with Chad W. Post, director of Open Letter Books.
A finalist for the 2009 Best Translated Book Award, Horacio Castellanos Moya’s Senselessness introduced English-language readers to one of the most provocative, singular voices of twentieth-century Latin American literature. The recent publications of The She-Devil in the Mirror and Dance with Snakes received widespread attention, and with more translations already in the works, it’s clear that readers will be hearing about Moya for years to come.
(This event is hosted by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .