A new month and a new Reading the World Podcast, this time with Suzanne Jill Levine, famed translator (of Three Trapped Tigers, of Heartbreak Tango, of dozens of other wonderful books) and author of the very influential The Subversive Scribe: Translating Latin American Fiction.
We recorded this back at MLA in December (in a bitterly cold Philadelphia—which seems WEIRD given the fact that it’s frickin’ 70+ degrees in CNY right now), where the focus was translation and Jill talked a lot about the then forthcoming Borges series that she had edited for Penguin Classics. (With the help of the very cool John Siciliano.)
Anyway, the first two volumes of the Borges series are now available: Poems of the Night and The Sonnets. And galleys for the last three books—On Mysticism, On Writing, and On Argentina—recently arrived in the mail. I’m planning on reviewing these three, starting with “Mysticism,” which has been on my mind a lot of late. (Aided by my recent PKD bender. And obsession with Lost)
We talk a bit about this special Borges series during the podcast, but for more info, check my post from this past December.
Double admission: I rarely, if ever, listen to anything I’m involved in, or read anything written about me. But I just listened to this, and holy shit, it’s even more incredible than I imagined possible. (And I don’t sound like a complete ass! Sweet!)
So, please, please listen, let me know what you think, and if you can, subscribe on iTunes and give us a review. (This link goes directly to the iTunes RTW Podcast page.) And pass this along to any and everyone you know. We really want to spread the word about these before starting the second (and third) rounds of taping . . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .