A new month and a new Reading the World Podcast, this time with Suzanne Jill Levine, famed translator (of Three Trapped Tigers, of Heartbreak Tango, of dozens of other wonderful books) and author of the very influential The Subversive Scribe: Translating Latin American Fiction.
We recorded this back at MLA in December (in a bitterly cold Philadelphia—which seems WEIRD given the fact that it’s frickin’ 70+ degrees in CNY right now), where the focus was translation and Jill talked a lot about the then forthcoming Borges series that she had edited for Penguin Classics. (With the help of the very cool John Siciliano.)
Anyway, the first two volumes of the Borges series are now available: Poems of the Night and The Sonnets. And galleys for the last three books—On Mysticism, On Writing, and On Argentina—recently arrived in the mail. I’m planning on reviewing these three, starting with “Mysticism,” which has been on my mind a lot of late. (Aided by my recent PKD bender. And obsession with Lost)
We talk a bit about this special Borges series during the podcast, but for more info, check my post from this past December.
Double admission: I rarely, if ever, listen to anything I’m involved in, or read anything written about me. But I just listened to this, and holy shit, it’s even more incredible than I imagined possible. (And I don’t sound like a complete ass! Sweet!)
So, please, please listen, let me know what you think, and if you can, subscribe on iTunes and give us a review. (This link goes directly to the iTunes RTW Podcast page.) And pass this along to any and everyone you know. We really want to spread the word about these before starting the second (and third) rounds of taping . . .
The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .