So last month, the day after the announcement of the Best Translated Book Award, the Americas Society hosted an amazing panel to help launch Macedonio Fernandez’s The Museum of Eterna’s Novel (The First Good Novel).
This event—which Open Letter executive committee member Hal Glasser helped put together—was loaded with awesome panelists, including Margaret Schwartz, who translated The Museum; Edie Grossman, whose first translation was a short story of Macedonio’s that she did for an Americas Society publication; and Todd Garth (a Macedonio scholar and author of The Self of the City, a book about Macedonio and the Argentine avant-garde.
Overall, this was one of the most interesting panels I’ve ever moderated. We were able to cover a lot of stuff about Macedonio—his eccentricities, his work, his relationship to Borges, his hatred of public transportation (“down with the tyranny of bus routes!”) and his disbelief in all medical knowledge (which, well, was why he ended up toothless . . . ). And I was even able to read the most romantic paragraph ever written (in my opinion), which is something I tend to do when I talk about Macedonio . . .
Anyway, definitely listen to this audio file.. I promise you’ll be enthralled after the first few minutes . . . It was a sort of magical night and event.
Click here to download. Or simply hit the play button below . . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .