Thanks to Ed Park (who wrote the amazing Personal Days, which everyone who has ever worked should definitely read) for bringing this to my attention—a novel which you can start on either end and which seemingly ends with a confrontation between the two main characters that happens literally at the middle of the book!
According to the brief description with this video, Benjamin Stein’s The Canvas is being translated into English . . . More on that when I feel like disclosing more. (A publisher has to keep some secrets, right? Otherwise he’s just a blogger.)
Katy Derbyshire — who runs the wonderful love german books — wrote about this a while back in relation to a reading she attended (and as Katy pointed out to me, you should check the comments—there’s a cute fight between the author and his wife):
Then came Benjamin Stein. I haven’t read his new novel, Die Leinwand, but I’m going to have to now. It’s printed so that you can start reading at either end, with the two strands meeting in the middle where you then have to flip the book over and start again. Loosely based around the case of Binjamin Wilkomirksi, the novel looks at that old evergreen, the nature of memory, from a slightly different standpoint – how memories and truths can be manipulated and faked. Stein read well, a pitch-perfect chapter about books and libraries and ownership and lies, featuring a down-to-earth wife who made me wonder all over again about fact and fiction. And then he surprised me by giving a slide show. He’d been on a research trip to Israel, where the book is partly set, in search of a mikveh where his two (!) showdowns take place. Germans aren’t generally all that au fait with orthodox Judaism – and nor am I – so it was an unexpected lesson and gave us a great sense of Stein’s love for his subject matter. The serious reader was suddenly transformed into a smiling enthusiast, showing us the people and places that inspired him.
Oh, and sorry Germany. I thought for sure you would dismantle Spain the way you did Argentina, England, et and cetera. But no! Thrilling! And uh, go Spain? (I’ve been rooting for WC teams based on which cities I love the most. Amsterdam vs. Barcelona is a tough, tough call. I do love the color orange . . . And Catalan literature . . .)
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .