Thanks to Ed Park (who wrote the amazing Personal Days, which everyone who has ever worked should definitely read) for bringing this to my attention—a novel which you can start on either end and which seemingly ends with a confrontation between the two main characters that happens literally at the middle of the book!
According to the brief description with this video, Benjamin Stein’s The Canvas is being translated into English . . . More on that when I feel like disclosing more. (A publisher has to keep some secrets, right? Otherwise he’s just a blogger.)
Katy Derbyshire — who runs the wonderful love german books — wrote about this a while back in relation to a reading she attended (and as Katy pointed out to me, you should check the comments—there’s a cute fight between the author and his wife):
Then came Benjamin Stein. I haven’t read his new novel, Die Leinwand, but I’m going to have to now. It’s printed so that you can start reading at either end, with the two strands meeting in the middle where you then have to flip the book over and start again. Loosely based around the case of Binjamin Wilkomirksi, the novel looks at that old evergreen, the nature of memory, from a slightly different standpoint – how memories and truths can be manipulated and faked. Stein read well, a pitch-perfect chapter about books and libraries and ownership and lies, featuring a down-to-earth wife who made me wonder all over again about fact and fiction. And then he surprised me by giving a slide show. He’d been on a research trip to Israel, where the book is partly set, in search of a mikveh where his two (!) showdowns take place. Germans aren’t generally all that au fait with orthodox Judaism – and nor am I – so it was an unexpected lesson and gave us a great sense of Stein’s love for his subject matter. The serious reader was suddenly transformed into a smiling enthusiast, showing us the people and places that inspired him.
Oh, and sorry Germany. I thought for sure you would dismantle Spain the way you did Argentina, England, et and cetera. But no! Thrilling! And uh, go Spain? (I’ve been rooting for WC teams based on which cities I love the most. Amsterdam vs. Barcelona is a tough, tough call. I do love the color orange . . . And Catalan literature . . .)
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .