Over the past few years, Amazon.com has been awarding grants to a number of interesting projects, including a lot of ones related to literature in translation. Their list of grantees includes Open Letter (for The Wall in My Head,), PEN America (for the Translation Fund), Words Without Borders, Copper Canyon, Milkweed, Asian American Writers’ Workshop, Poets & Writers, Small Press Distribution, etc., etc.
The latest addition to the list is the extremely worthy Archipelago Books:
Archipelago Books is delighted to announce today that it is among a diverse group of nonprofit organizations to receive a $25,000 grant from Amazon.com. Archipelago Books is a Brooklyn, NY-based not-for-profit press dedicated to publishing world literature in translation. The generous grant from Amazon.com will be used to support the forthcoming publication of the novel Stone Upon Stone, written by Nike Prize-winning author Wiesaw Myliwski and translated from the Polish by Bill Johnston. The novel will be released in December of 2010.
Myliwski’s novels and plays, among them Widnokrag [Horizon] (1996) and Traktat o uskaniu fasoli [A Treatise on Shelling Beans] (2006) focus on life in the Polish countryside. Although he has twice received the Nike Award (the Polish equivalent of the Booker Prize), Stone Upon Stone will be Myliwski’s first work published in English translation. Stone Upon Stone has already received much praise in the Polish press. Anna Tatarkiewicz called the novel “the first masterpiece in Slavic literature, perhaps even in European literature, in which the fate of the peasant attains the standing of human fate in all its tragic vastness.” Meanwhile, Krystyna Dabrowska hailed the novel as “A hymn in praise of life. . . . A paean to speech and the art of storytelling.”
So great to see Amazon.com continue this program and their support of very interesting projects and presses.
And since everything’s connected, here’s a link to the most recent episode of the Reading the World podcast which features Bill Johnston talking about the process of translating Stone Upon Stone.
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .