In his own words, Grant Barber is “an Episcopal priest living on the south shore of Boston and a keen bibliophile. Maybe by the time he retires his Spanish will be good enough to try his own translations of Latin American fiction.”
As Grant mentions in his review, Abate’s Between Two Seas is also available from Europa Editions, and was also translated by Antony Shugaar. (Antony is a member of the Europa Edition All Star Translator team. Along with Alison Anderson, I think he’s translated approximately 75 books for Europa this year. Crazy.)
Anyway, here’s the opening of Grant’s review:
This short novel (171 pages) continues Europa’s practice of bringing interesting contemporary fiction from writers of Europe. What commends this novel most is the author’s voice underlying the first person accounts of Marco, a 13 year old Albanian- Italian boy living in a small southern Italy town, and his father who is a migrant laborer in France. Tullio, the father, returns home for a succession of Christmas celebrations, which anchor the novel’s unfolding time. Carmine Abate must be well served by Antony Shugaar, the translator of this novel (and Abate’s novel Between Two Seas, also published by Europa): the story confidently unfolds at a steady, gentle pace, with some loops forwards and backwards as the reader pieces together all the events.
Click here to read the full review.
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .