A good deal of attention was paid to AmazonCrossing when they announced their first title—The King of Kahel by Nicholas Elliott—and a lot of people (self included) were interested in seeing what other sorts of books they’d be publishing in the future. I just received a copy of the galley, so I haven’t had a chance to read Elliott’s book yet, but from what I know it seems pretty literary . . .
This morning, AmazonCrossing announced the next batch of books they’ll be publishing. You can read the full press release for all the details on all the books, but here are the three that sound most interesting to me:
No Reserve: The Limit of Absolute Power by Martín Redrado and translated from the Spanish by Dan Newland
This sounds fascinating to me, but I’m a sucker for business-oriented books about the Argentine economy. (I’m not at all kidding. Scott Esposito loaned me And the Money Kept Rolling In (And Out) by Paul Blustein when I was down in Buenos Aires, and I really loved it. It’s crazy/fascinating/scary what happened to the Argentine economy at the beginning of the 2000s, and an interesting lesson in the way the world economy works.) Anyway, Martin Redrado was the president of Argentina’s Central Bank from 2004 to 2010, and ended up leading a fight against financial corruption. According to the copy, “readers will be intrigued by Redrado’s explanations of emerging world markets, tenets of central banking, and how governments can cause and avoid financial crises.” Get the feeling this is one of those economics books that won’t be taught in any of the Simon Business School classes I’m taking . . .
Old Town by Lin Zhe, translated from the Chinese by George Fowler
This is currently available from Dog Ear Publishing (a self-publishing outfit) as Riddles of Belief . . . And Love: A Story, but at $23 (for a paperback), I suspect most people will wait for the AmazonCrossing version. Not a ton of specific info in the description, but it sounds, uh, sweeping: Old Town “paints an unforgettable picture of an ordinary family caught up in the maelstrom that was China’s most recent century. Praised as China’s Gone With the Wind . . .”
Field Work in Ukrainian Sex by Oksana Zabuzhko, translated from the Ukrainian by someone . . .
This is a book that we actually considered at Dalkey way back when . . . Sounds pretty cool and somewhat controversial. According to Zabuzhko: “When you turn 30, you inevitably start reconsidering what you have been taught in your formative years—that is, if you really seek for your own voice as a writer. In my case, my personal identity crisis had coincided with the one experienced by my country after the advent of independence. The result turned explosive: Field Work in Ukrainian Sex.“
There are a few interesting things about this list. First off, Field Work is the first of three Zabuzhko books they’re planning on doing, and they’re also doing three titles by German YA author Rusalka Reh. Smart move to try and build a brand by doing a few books by certain people . . .
And the range of the list is pretty interesting. A YA book, nonfiction about Argentina’s economic situation, novel by a nineteenth-century diplomat, scandalous book with “sex” in the title, and a thriller. It’ll be interesting to see which titles catch on and what the list looks like a few years from now.
More on AmazonCrossing later . . . I’m interviewing Jeff Belle for an article for Publishing Perspectives . . . (Which is one reason why I haven’t been posting much here as of late . . . )
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .