Today Granta announced the twenty-two young Spanish Novelists that will be in the ‘Best of Young Spanish-Language Novelists issue, which is coming in November. The list (which you can see in full below) has two exciting surprises for us. First, our own Alejandro Zambra was named to the list! The issue will feature an excerpt from his forthcoming novel Formas de volver a casa, which I can’t wait to read.
The other surprise was that Samanta Schweblin, Santiago Roncagliolo, Oliverio Coelho, Federico Falco, and Antonio Ortuño are also on the list. Next year (I hope it’s ready by next year, that is), we’re publishing an anthology of short fiction by young Latin American writers called The Future is Not Ours, which was edited and collected by Diego Trelles Paz (here’s a piece he had in n+1 recently). Schweblin, Roncagliolo, Coehlo, Falco, and Ortuño are all in the anthology.
(Excuse us for a moment while we feel fancy for being the publisher of six of the twenty-two Best Young Spanish-Language Novelists.)
To celebrate, we’re knocking 30% off the cover price of Alejandro Zambra’s The Private Lives of Trees. For a limited time (saying that makes me feel so marketing-y), you can get it for $8.99 from our online shop.
Here’s Granta’s blog post that announces the list (followed by the whole list):
Granta’s Best Young Novelists issues have been some of the magazine’s most important – ever since the first ‘Best of Young British Novelists’ in 1983, which featured stories by Salman Rushdie, A. N. Wilson, Adam Mars-Jones and Martin Amis. There have since been two more Best of Young British Novelists lists, in 1993 and 2003, and lists for American novelists in 1996 and 2007. The titles have become milestones on the literary landscape, predicting talent as much as spotting it.
Today, Granta takes a new step in this tradition: our first-ever Best of Young Spanish-Language Novelists issue. It will be published first in Spanish as Los mejores narradores jovenes en español and the English edition will follow, coming out on 25 November. The twenty-two writers on the list have been chosen by a distinguished panel of six judges: Valerie Miles and Aurelio Major, editors of Granta en español; Guatemalan-American novelist Francisco Goldman; Catalan critic, editor and author Mercedes Monmany; British journalist and ex-Latin American correspondent Isabel Hilton; and Argentinian writer and film-maker Edgardo Cozarinsky. To be eligible, the writers had to be born on or after January 1, 1975.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .