Today Granta announced the twenty-two young Spanish Novelists that will be in the ‘Best of Young Spanish-Language Novelists issue, which is coming in November. The list (which you can see in full below) has two exciting surprises for us. First, our own Alejandro Zambra was named to the list! The issue will feature an excerpt from his forthcoming novel Formas de volver a casa, which I can’t wait to read.
The other surprise was that Samanta Schweblin, Santiago Roncagliolo, Oliverio Coelho, Federico Falco, and Antonio Ortuño are also on the list. Next year (I hope it’s ready by next year, that is), we’re publishing an anthology of short fiction by young Latin American writers called The Future is Not Ours, which was edited and collected by Diego Trelles Paz (here’s a piece he had in n+1 recently). Schweblin, Roncagliolo, Coehlo, Falco, and Ortuño are all in the anthology.
(Excuse us for a moment while we feel fancy for being the publisher of six of the twenty-two Best Young Spanish-Language Novelists.)
To celebrate, we’re knocking 30% off the cover price of Alejandro Zambra’s The Private Lives of Trees. For a limited time (saying that makes me feel so marketing-y), you can get it for $8.99 from our online shop.
Here’s Granta’s blog post that announces the list (followed by the whole list):
Granta’s Best Young Novelists issues have been some of the magazine’s most important – ever since the first ‘Best of Young British Novelists’ in 1983, which featured stories by Salman Rushdie, A. N. Wilson, Adam Mars-Jones and Martin Amis. There have since been two more Best of Young British Novelists lists, in 1993 and 2003, and lists for American novelists in 1996 and 2007. The titles have become milestones on the literary landscape, predicting talent as much as spotting it.
Today, Granta takes a new step in this tradition: our first-ever Best of Young Spanish-Language Novelists issue. It will be published first in Spanish as Los mejores narradores jovenes en español and the English edition will follow, coming out on 25 November. The twenty-two writers on the list have been chosen by a distinguished panel of six judges: Valerie Miles and Aurelio Major, editors of Granta en español; Guatemalan-American novelist Francisco Goldman; Catalan critic, editor and author Mercedes Monmany; British journalist and ex-Latin American correspondent Isabel Hilton; and Argentinian writer and film-maker Edgardo Cozarinsky. To be eligible, the writers had to be born on or after January 1, 1975.
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .