This is really exciting news, and most likely Jon Fine and I are announcing this to the crowd at the ALTA conference right about now . . . I know the press release below is a bit stiff in comparison to the usual Three Percent post, but it has all the appropriate info about Amazon’s underwriting of the 2011 Best Translated Book Awards, which will finally allow us to award cash prizes to all the winners!
Also, if you’re a publisher/author/translator and want to submit a book for consideration, be sure to check out this page, where you’ll find the mailing addresses for all of the judges. More info on our judges and the award next week when I finally (hopefully) have a chance to post an update to the translation database. But for now, here’s the official press release . . .
October 20, 2010—Amazon.com has awarded the University of Rochester/Three Percent website a $25,000 grant in support of the 2011 Best Translated Book Awards. This grant will support $5,000 cash prizes for both the winning translators and authors.
Launched by Three Percent in 2007, the Best Translated Book Awards aim to bring attention to the best original works of international fiction and poetry published in the U.S. during the previous year. Judges base their decision on both the quality of the original work and the quality of the English translation. Until this year, however, the award carried no cash prize.
“Over the past few years, the awards have grown in stature, and the introduction of a cash prize for the winners will greatly enhance the reputation and reach of the award,” said Chad W. Post, director of Open Letter Books and Three Percent.
According to fiction panelist Matthew Jakubowski, “Without a doubt, this level of support for translated literature helps enrich book culture in our country. Publishers, authors, translators, and of course the growing number of readers attuned to new literature from around the world will benefit. And best of all, every year the BTBAs provide a great way to learn about dozens of great new books that we’d otherwise hear little about.”
On January 27, 2011, the twenty-five-title fiction longlist will be announced on the Three Percent and Best Translated Book Award websites, and over the following month each title will be individually highlighted through short write-ups by the various judges. The ten-title shortlists for both fiction and poetry will be announced on March 24th, and the winning titles will be celebrated at a special reception during the PEN World Voices Festival at the end of April.
Recent winners for fiction include Tranquility by Attila Bartis, translated from the Hungarian by Imre Goldstein (Archipelago), and The Confessions of Noa Weber by Gail Hareven, translated from the Hebrew by Dalya Bilu (Melville House). In poetry, The Russian Version by Elena Fanailova, translated from the Russian by Genya Turovskaya and Stephanie Sandler (Ugly Duckling), received the award in 2010, and For the Fighting Spirit of the Walnut by Takashi Hiraide, translated from the Japanese by Sawako Nakayasu (New Directions), received the award in 2009.
Information about how to submit a title for the 2011 Best Transalted Book Awards can be found on the BTBA website.
In addition to sponsoring the Best Translated Book Awards, Amazon.com has awarded grants to a diverse range of not-for-profit author and publisher groups dedicated to fostering the creation, discussion, and publication of new writing and new voices, including Ledig House, Milkweed Editions, Copper Canyon Press, Open Letter, Archipelago Books, PEN American Center, Words Without Borders, and the Center for the Art of Translation, all of which are committed to the international exchange of literature and the work of translators.
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .