Our next Reading the World Conversation Series event takes place tomorrow and features four international authors currently at the Ledig House, a wonderful residency program for international writers.
The event takes place at 6 p.m. in the Hawkins-Carlson room in University of Rochester’s Rush Rhees library. Totally free, totally open to the public, and totally entertaining. All the details can also be found on this Facebook event page.
And yes—we will record these readings and hopefully at some point Nate and/or E.J. will do that magic editing stuff so that I can link to them here . . . (Actually, we should be able to make all three RTWCS fall events available early next week.)
Here are the bios of the four people who will be reading and talking here tomorrow night:
Susana García Iglesias (Mexico, Fiction)
Born in Mexico City’s historic center, Susana a is the inaugural recipient of the Aura Estrada Prize, which she won for her fiction submission, Barracuda. It was praised by jury president Margo Glantz for “the enormous force and charisma of a risk-taking writing whose fury ignites like pyromania.” Susana has worked as a bartender and dog stylist; her interests include: mixology, photography, old cars, high speed, rock and roll, and literature.
Nir Baram (Israel, Fiction/Nonfiction)
Born in Jerusalem, Nir graduated with an MA in Literature from Tel-Aviv University. He has published four books, and was nominated for the Sapir Prize (The Israeli Booker award) in 2007. Nir won the Prime Minister Award for Hebrew literature in 2010. He serves as editor of the Classical World Wide Series in Am-Oved publishing house and writes for the Ha’aretz Newspaper.
Perihan Mağden (Turkey, Fiction)
Perihan was born in Istanbul. She majored in psychology and traveled extensively in Asia. She published first novel, Messenger Boy Murders, in 1991. Perihan recently left her post writing a regular column for over 12 years. She has five novels that have been translated to twelve languages.
Tom Burke (US, Fiction)
Born in Chicago, Thomas is now the Program Manager of the Chinua Achebe Center for African Writers and Artists at Bard College. In the past he served as Director of Summer Literary Seminars in Kenya, Assistant Director of SLS in Russia, and as the Event and Promotions Manager at Words without Borders, an online magazine of international literature in translation. He received an MFA from UMASS Amherst and his work has appeared in Tin House and The Brooklyn Rail, among other publications, and is forthcoming in the St. Petersburg Review and the Collagist.
So if you’re in the area, you should definitely come out—this is always one of the best RTWCS events . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .