Our next Reading the World Conversation Series event takes place tomorrow and features four international authors currently at the Ledig House, a wonderful residency program for international writers.
The event takes place at 6 p.m. in the Hawkins-Carlson room in University of Rochester’s Rush Rhees library. Totally free, totally open to the public, and totally entertaining. All the details can also be found on this Facebook event page.
And yes—we will record these readings and hopefully at some point Nate and/or E.J. will do that magic editing stuff so that I can link to them here . . . (Actually, we should be able to make all three RTWCS fall events available early next week.)
Here are the bios of the four people who will be reading and talking here tomorrow night:
Susana García Iglesias (Mexico, Fiction)
Born in Mexico City’s historic center, Susana a is the inaugural recipient of the Aura Estrada Prize, which she won for her fiction submission, Barracuda. It was praised by jury president Margo Glantz for “the enormous force and charisma of a risk-taking writing whose fury ignites like pyromania.” Susana has worked as a bartender and dog stylist; her interests include: mixology, photography, old cars, high speed, rock and roll, and literature.
Nir Baram (Israel, Fiction/Nonfiction)
Born in Jerusalem, Nir graduated with an MA in Literature from Tel-Aviv University. He has published four books, and was nominated for the Sapir Prize (The Israeli Booker award) in 2007. Nir won the Prime Minister Award for Hebrew literature in 2010. He serves as editor of the Classical World Wide Series in Am-Oved publishing house and writes for the Ha’aretz Newspaper.
Perihan Mağden (Turkey, Fiction)
Perihan was born in Istanbul. She majored in psychology and traveled extensively in Asia. She published first novel, Messenger Boy Murders, in 1991. Perihan recently left her post writing a regular column for over 12 years. She has five novels that have been translated to twelve languages.
Tom Burke (US, Fiction)
Born in Chicago, Thomas is now the Program Manager of the Chinua Achebe Center for African Writers and Artists at Bard College. In the past he served as Director of Summer Literary Seminars in Kenya, Assistant Director of SLS in Russia, and as the Event and Promotions Manager at Words without Borders, an online magazine of international literature in translation. He received an MFA from UMASS Amherst and his work has appeared in Tin House and The Brooklyn Rail, among other publications, and is forthcoming in the St. Petersburg Review and the Collagist.
So if you’re in the area, you should definitely come out—this is always one of the best RTWCS events . . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .