Out of 123 total entries, the judges for the International Prize for Arabic Fiction (aka the Arab Booker), selected 16 books for the longlist. It’s interesting to note that, according to the press release, of the 16, seven of the books are written by women (yay!), and that “religious extremism, political and social conflict, and women’s struggles emerge as key themes” (isn’t this the same as saying that all the books were about life?).
The shortlist of six titles will be announced on December 9th in Doha, Qatar (which is when the list of panelists will also be revealed), and the winner will be announced on March 14th, during the Abu Dhabi International Book Fair. Shortlisted authors receive $10,000, with the winner receiving an additional $50,000. (Not bad, not bad.)
Anyway, here are the 16 titles, with descriptions (from the press materials) of a few that sound interesting:
Tackling the themes of Islamic extremism and terrorism from a new angle, The Arch and the Butterfly explores the effect of terrorism on family life. It tells the story of a left-wing father who one day receives a letter from Al-Qaeda informing him that his son, who he believes is studying in Paris, has died a martyr in Afghanistan. The novel looks at the impact of this shocking news on the life of its hero and consequently on his relationship with his wife.
Secret Rope contrasts life in Syria and France through the story of a mother and daughter. After her marriage in Syria, the daughter finds she must return to France to pursue a life of freedom that she cannot achieve in her homeland.
In a gripping novel, whose narrative style is a blend of Kafka and One Thousand and One Nights, Himmich imagines an innocent man’s experience of extraordinary rendition in an American prison. During his captivity, the protagonist is subjected to interrogation and torture by both Arabs and foreigners and yet, against all odds, the author manages to find some hope in an otherwise desperate situation.
The Andalucian House relays the history of a house in Granada through the stories of the people who live there over the centuries. Amongst its many residents are two famous, real-life characters: the first, Dali Mami, a sixteenth-century pirate who fought for the Turks and was responsible, amongst other things, for Miguel de Cervantes’s period of captivity in Algeria and the second Emperor Napoleon III, whose wife Eugenie was born in Granada.
Istasia is a Coptic widow living in the Egyptian Delta, who becomes a local legend when she dedicates her life to revenging the death her son through prayer. Assistance comes in the unlikely form of the son of the village’s leading Muslim family, notorious for their ruthlessness and cruelty, a lawyer who decides to investigate the case and bring Istasia’s son’s unknown murderers to justice. The moral of the story is that not every Muslim is good or Christian evil and that, no matter the religion, God will answer the prayers of anyone who has been wronged. [Ed. Note: “God will answer the prayers of anyone who has been wronged”??? Huh.]
The Hunter of the Chrysalises is the story of a former secret service agent who, having been forced to retire due to an accident, decide to write a novel about his experiences. He starts to visit a café frequented by intellectuals, only to find himself the subject of police scrutiny.
Brooklyn Heights tells the story of the New York’s Arab immigrants and those who live among them through the eyes of the female narrator. By contrasting her experiences in her chosen home, America, and her homeland Egypt, she reveals the problematic relationship between East and West. It is a story of fundamentalism and tolerance, loss and hope in love. Simple yet full of rich detail, the novel evokes the atmosphere of America over the last decade.
In The Eye of the Sun, protagonist Nasma returns to Syria after years in exile in Sweden and is forced to confront painful memories. Her story reveals a past filled with conflict: from domestic turmoil under a cruel and manipulative father, to political upheaval affecting both her family and the entire population of Aleppo. As well as relating the events that shaped her life up until the present, the novel explores the relationships she has with the men in her life, from her father and brother to her lovers, the man who tortures her and the man to whom she is now married.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .