I’ve been meaning to post this for a month now . . . At least there’s still some time before the March deadline:
THE 2011 SUSAN SONTAG PRIZE FOR TRANSLATION
$5,000 grant for a literary translation from Italian into English: PLEASE POST & DISTRIBUTE
PLEASE NOTE: The deadline is March 1, 2011.
This $5,000 grant will be awarded to a proposed work of literary translation from Italian into English and is open to anyone under the age of 30. The translation must fall under the category of fiction or letters, and the applicant will propose his or her own translation project. The project should be manageable for a five-month period of work, as the grant will be awarded in May 2011, and the translation must be completed by October 2011.
Acceptable proposals include a novella, a play, a collection of short stories or poems, or a collection of letters that have literary import. Preference will be given to works that have not been previously translated. (Previously translated works will be considered, however applicants should include an explanation for why they are proposing a new translation.) Applicants wishing to translate significantly longer works should contact the Foundation before sending in their applications so that supplementary materials can be included. The prizewinner will be notified on May 13, 2011 and results will be announced online at www.susansontag.org.
The recipient will be expected to participate in symposia on literary translation with established writers and translators, as well as public readings of their work once the translation has been completed.
Application Requirements (Please download the official application online..) All applications must include three copies of the following:
• Application Cover Sheet (available online)
• Personal Statement (2 pages maximum) explaining your interest and background in literature and the source language (Italian)
• Project proposal (2 pages maximum) outlining the work and describing its importance
• 5 page sample translation of the proposed work from the source language into English
• The same passage in the original language
• A bio-bibliography of the author (including information on previous translations of his or her work into English)
• One academic letter of recommendation
• Official transcript from your current or most recent academic institution
All applications must be submitted via regular mail to the Foundation address:
Susan Sontag Foundation
76 Franklin St. #3
NY, NY 10013
All application materials must be received by March 1, 2011.
The fine print: Applicants must be under the age of 30 on the date the prizewinner will be announced: May 13, 2011. By submitting work to the Susan Sontag Foundation, the applicant acknowledges the right of the Foundation to use the accepted work in its publications, on its website, and for educational and promotional purposes related to the Foundation. Please note that application materials cannot be returned to applicants.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .