I’ve been meaning to post this for a month now . . . At least there’s still some time before the March deadline:
THE 2011 SUSAN SONTAG PRIZE FOR TRANSLATION
$5,000 grant for a literary translation from Italian into English: PLEASE POST & DISTRIBUTE
PLEASE NOTE: The deadline is March 1, 2011.
This $5,000 grant will be awarded to a proposed work of literary translation from Italian into English and is open to anyone under the age of 30. The translation must fall under the category of fiction or letters, and the applicant will propose his or her own translation project. The project should be manageable for a five-month period of work, as the grant will be awarded in May 2011, and the translation must be completed by October 2011.
Acceptable proposals include a novella, a play, a collection of short stories or poems, or a collection of letters that have literary import. Preference will be given to works that have not been previously translated. (Previously translated works will be considered, however applicants should include an explanation for why they are proposing a new translation.) Applicants wishing to translate significantly longer works should contact the Foundation before sending in their applications so that supplementary materials can be included. The prizewinner will be notified on May 13, 2011 and results will be announced online at www.susansontag.org.
The recipient will be expected to participate in symposia on literary translation with established writers and translators, as well as public readings of their work once the translation has been completed.
Application Requirements (Please download the official application online..) All applications must include three copies of the following:
• Application Cover Sheet (available online)
• Personal Statement (2 pages maximum) explaining your interest and background in literature and the source language (Italian)
• Project proposal (2 pages maximum) outlining the work and describing its importance
• 5 page sample translation of the proposed work from the source language into English
• The same passage in the original language
• A bio-bibliography of the author (including information on previous translations of his or her work into English)
• One academic letter of recommendation
• Official transcript from your current or most recent academic institution
All applications must be submitted via regular mail to the Foundation address:
Susan Sontag Foundation
76 Franklin St. #3
NY, NY 10013
All application materials must be received by March 1, 2011.
The fine print: Applicants must be under the age of 30 on the date the prizewinner will be announced: May 13, 2011. By submitting work to the Susan Sontag Foundation, the applicant acknowledges the right of the Foundation to use the accepted work in its publications, on its website, and for educational and promotional purposes related to the Foundation. Please note that application materials cannot be returned to applicants.
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .