At some point while I’m housebound thanks to the Colossal Snowpocalypse of the Century tm I’ll finish tweaking the write-up of the speech I gave in Amsterdam at the Nonfiction Conference, post part of that and write up some stuff about how fantastic this conference was. (If you look at the list of speakers you’ll immediately see why it was so interesting.)
Anyway, one of the random cool things that happened: At the coffee break on Saturday, moderator Maarten Asscher tole me about the “European Literature Prize,” a brand new award honoring the best Dutch translations of European literary novels—a prize modeled after the Best Translated Book Awards and the Independent Foreign Fiction Prize. It’s so, so cool that the IFFP spawned the BTBA, which led to the ELP . . .
This past Sunday they met to decide the twenty book longlist, which is printed below, along with their press release. (There are a few books here I’m really interested in—especially the Robles. And David Mitchell is one of my favorites . . .):
The longlist for the European Literature Prize was announced today. Thirteen independent Dutch and Flemish bookshops have selected the twenty best titles from among the European literary novels published in Dutch translation in 2010. The prize will be presented in early September during Manuscripta, the opening of the new Dutch book season.
The following twenty titles have been nominated (in alphabetical order by author):
The European Literature Prize will be awarded in 2011 for the first time, recognizing the best novel translated into Dutch from another European language and published in 2010. The winning author will receive the sum of €10,000. The prize is unusual in that it is also awarded to the translator of the chosen book; he or she will receive €2,500.
The professional jury is as follows:
Frans Timmermans, member of the House of Representatives, former Secretary of State for European Affairs (chairman)
Marja Pruis, writer and literary critic for De Groene Amsterdammer
Guido Snel, university lecturer University of Amsterdam, department of European Studies, writer and literary translator
Herm Pol, Athenaeum booksellers Amsterdam
Edith Aerts, bookstore De Groene Waterman, Antwerp
The jury will announce the shortlist at the end of April 2011. The European Literature Prize is an initiative of the Academic-Cultural Centre SPUI25, the Dutch Foundation for Literature, the weekly magazine De Groene Amsterdammer and Athenaeum Booksellers. The prize is sponsored in part by the following independent bookshops, which have also participated in the selection process:
Athenaeum Boekhandel, Amsterdam
Boekhandel de Groene Waterman, Antwerpen
Boekhandel De Omslag, Delft
Boekhandel H. de Vries, Haarlem
Boekhandel Het Martyrium, Amsterdam
Boekhandel Krings, Sittard
Literaire Boekhandel Lijnmarkt, Utrecht
Boekhandel Paagman, Den Haag
Boekhandel van Gennep, Rotterdam
Boekhandel Verkaaik, Gouda
Eerste Bergensche Boekhandel, Bergen N-H
Linnaeus Boekhandel, Amsterdam
Boekhandel Van Rossum, Amsterdam
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .