At some point while I’m housebound thanks to the Colossal Snowpocalypse of the Century tm I’ll finish tweaking the write-up of the speech I gave in Amsterdam at the Nonfiction Conference, post part of that and write up some stuff about how fantastic this conference was. (If you look at the list of speakers you’ll immediately see why it was so interesting.)
Anyway, one of the random cool things that happened: At the coffee break on Saturday, moderator Maarten Asscher tole me about the “European Literature Prize,” a brand new award honoring the best Dutch translations of European literary novels—a prize modeled after the Best Translated Book Awards and the Independent Foreign Fiction Prize. It’s so, so cool that the IFFP spawned the BTBA, which led to the ELP . . .
This past Sunday they met to decide the twenty book longlist, which is printed below, along with their press release. (There are a few books here I’m really interested in—especially the Robles. And David Mitchell is one of my favorites . . .):
The longlist for the European Literature Prize was announced today. Thirteen independent Dutch and Flemish bookshops have selected the twenty best titles from among the European literary novels published in Dutch translation in 2010. The prize will be presented in early September during Manuscripta, the opening of the new Dutch book season.
The following twenty titles have been nominated (in alphabetical order by author):
The European Literature Prize will be awarded in 2011 for the first time, recognizing the best novel translated into Dutch from another European language and published in 2010. The winning author will receive the sum of €10,000. The prize is unusual in that it is also awarded to the translator of the chosen book; he or she will receive €2,500.
The professional jury is as follows:
Frans Timmermans, member of the House of Representatives, former Secretary of State for European Affairs (chairman)
Marja Pruis, writer and literary critic for De Groene Amsterdammer
Guido Snel, university lecturer University of Amsterdam, department of European Studies, writer and literary translator
Herm Pol, Athenaeum booksellers Amsterdam
Edith Aerts, bookstore De Groene Waterman, Antwerp
The jury will announce the shortlist at the end of April 2011. The European Literature Prize is an initiative of the Academic-Cultural Centre SPUI25, the Dutch Foundation for Literature, the weekly magazine De Groene Amsterdammer and Athenaeum Booksellers. The prize is sponsored in part by the following independent bookshops, which have also participated in the selection process:
Athenaeum Boekhandel, Amsterdam
Boekhandel de Groene Waterman, Antwerpen
Boekhandel De Omslag, Delft
Boekhandel H. de Vries, Haarlem
Boekhandel Het Martyrium, Amsterdam
Boekhandel Krings, Sittard
Literaire Boekhandel Lijnmarkt, Utrecht
Boekhandel Paagman, Den Haag
Boekhandel van Gennep, Rotterdam
Boekhandel Verkaaik, Gouda
Eerste Bergensche Boekhandel, Bergen N-H
Linnaeus Boekhandel, Amsterdam
Boekhandel Van Rossum, Amsterdam
This slender, uncanny volume—the second, best-selling collection of stories by Russian author Ludmilla Petrushevskaya to appear in the U.S.—has already received considerable, well-deserved praise from many critics and high profile publications. Its seventeen short tales, averaging ten pages each, are. . .
The Urdu word basti refers to any space, intimate to worldly, and is often translated as “common place” or “a gathering place.” This book by Intizar Husain, who is widely regarded as one of the most important living Pakistani writers,. . .
The Whispering Muse, one of three books by Icelandic writer Sjón just published in North America, is nothing if not inventive. Stories within stories, shifting narration, leaps in time, and characters who transform from men to birds and back again—you’ve. . .
Luis Negrón’s debut collection Mundo Cruel is a journey through Puerto Rico’s gay world. Published in 2010, the book is already in its fifth Spanish edition. Here in the U.S., the collection has been published by Seven Stories Press and. . .
To have watched from one of your patios
the ancient stars
from the bank of shadow to have watched
the scattered lights
my ignorance has learned no names for
nor their places in constellations
to have heard the ring of. . .
When Icelandic author Andri Snær Magnason first published LoveStar, his darkly comic parable of corporate power and media influence run amok, the world was in a very different place. (This was back before both Facebook and Twitter, if you can. . .
When starting Hi, This Is Conchita and Other Stories, Santiago Roncagliolo’s second work to be translated into English, I was expecting Roncagliolo to explore the line between evil and religion that was front and center in Red April. Admittedly, I. . .
Christa Wolf’s newly-translated City of Angels is a novel of atonement, and in this way the work of art that it resembles most to me is not another book, but the 2003 Sophia Coppola film Lost in Translation. Like that. . .
French author—philosopher, poet, novelist—de Roblès writes something approaching the Great (Latin) American Novel, about Brazilian characters, one of whom is steeped in the life of the seventeenth century polymath (but almost always erroneous) Jesuit Athanasius Kircher. Eleazard von Wogau, a. . .
A rich, beautifully written, consistently surprising satire, Yan Lianke’s Lenin’s Kisses boasts an elaborate, engrossing plot with disarming twists and compelling characters both challenged and challenging. It leads the reader on a strange pilgrimage—often melancholy but certainly rewarding—through a China. . .