At some point while I’m housebound thanks to the Colossal Snowpocalypse of the Century tm I’ll finish tweaking the write-up of the speech I gave in Amsterdam at the Nonfiction Conference, post part of that and write up some stuff about how fantastic this conference was. (If you look at the list of speakers you’ll immediately see why it was so interesting.)
Anyway, one of the random cool things that happened: At the coffee break on Saturday, moderator Maarten Asscher tole me about the “European Literature Prize,” a brand new award honoring the best Dutch translations of European literary novels—a prize modeled after the Best Translated Book Awards and the Independent Foreign Fiction Prize. It’s so, so cool that the IFFP spawned the BTBA, which led to the ELP . . .
This past Sunday they met to decide the twenty book longlist, which is printed below, along with their press release. (There are a few books here I’m really interested in—especially the Robles. And David Mitchell is one of my favorites . . .):
The longlist for the European Literature Prize was announced today. Thirteen independent Dutch and Flemish bookshops have selected the twenty best titles from among the European literary novels published in Dutch translation in 2010. The prize will be presented in early September during Manuscripta, the opening of the new Dutch book season.
The following twenty titles have been nominated (in alphabetical order by author):
The European Literature Prize will be awarded in 2011 for the first time, recognizing the best novel translated into Dutch from another European language and published in 2010. The winning author will receive the sum of €10,000. The prize is unusual in that it is also awarded to the translator of the chosen book; he or she will receive €2,500.
The professional jury is as follows:
Frans Timmermans, member of the House of Representatives, former Secretary of State for European Affairs (chairman)
Marja Pruis, writer and literary critic for De Groene Amsterdammer
Guido Snel, university lecturer University of Amsterdam, department of European Studies, writer and literary translator
Herm Pol, Athenaeum booksellers Amsterdam
Edith Aerts, bookstore De Groene Waterman, Antwerp
The jury will announce the shortlist at the end of April 2011. The European Literature Prize is an initiative of the Academic-Cultural Centre SPUI25, the Dutch Foundation for Literature, the weekly magazine De Groene Amsterdammer and Athenaeum Booksellers. The prize is sponsored in part by the following independent bookshops, which have also participated in the selection process:
Athenaeum Boekhandel, Amsterdam
Boekhandel de Groene Waterman, Antwerpen
Boekhandel De Omslag, Delft
Boekhandel H. de Vries, Haarlem
Boekhandel Het Martyrium, Amsterdam
Boekhandel Krings, Sittard
Literaire Boekhandel Lijnmarkt, Utrecht
Boekhandel Paagman, Den Haag
Boekhandel van Gennep, Rotterdam
Boekhandel Verkaaik, Gouda
Eerste Bergensche Boekhandel, Bergen N-H
Linnaeus Boekhandel, Amsterdam
Boekhandel Van Rossum, Amsterdam
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .