The best source for info on German poet Anja Utler seems to be this site (which, for those of you into poetry of the experimental flavor, looks pretty awesome on the whole), which has this to say:
Her first volume of poetry, asfsagen, was published in 1999, followed by münden – entzügeln (engulf – enkindle) in 2004. The year before, she received her doctorate for her thesis on women Russian modernist poets.
That same year she was awarded the Leonce-und-Lena-Preis, an award devoted to outstanding younger poets. That award jury described her poetry as “sensual sound constructions, on paper as in recitation, without being pure sound-poetry. Rather, they are language games of psychological world perception, that out of the substance of their words create shafts of illumination through which our curiosity, but also our bafflement in the exploration of language, feel their way.”
Erica Mena is a member of the Best Translated Book Award poetry committee (quick interjection: engulf—enkindle isn’t eligible for this year’s award, but come BTBA 2012 . . . ), who is also a poet, translator, and noted screeder.
But today, Erica is gushing rather than screeding . . . Based on the first paragraph alone, I think Erica kinda sorta likes this collection . . . (And be sure to scroll to the bottom to hear a recording Erica did of one of the poems):
engulf — enkindle is a stunning book of poetry. It literally stunned me into absolute submission; it is the book of poetry I’d been wanting to read for years. It’s a small volume, and I read it in one sitting, faster than I normally read poetry, because I couldn’t slow down. The language sunk its hooks into me and pulled me through the book, like rafting down rapids. If some of this sounds violent, that’s no mistake – the book is full of sensual violence, done to the body of language and the body in the poem.
want now: you – drive into me
want to push to the edge, hang, you
haul all my: shale, scrape
it off from: the head, from the shoulders
to rootstock throat gravel: you split me
give me – as if severed – sharp
countours – fangs wolffian ridge
questions too – will i? –
i – take you to me
Click here for the full review.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
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There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .