Jennifer Marquart has contributed to Three Percent in the past and is an aspiring German translator and recent University of Rochester graduate.
Witold Gombrowicz is one of the best writers of the twentieth century, and is most well known for Ferdydurke. One of my favorite (apocryphal) anecdotes about Gombrowicz is about how one day in Buenos Aires he was ranting about Borges to his friends (the two authors didn’t really get along), and one of them interrupted to ask if he had ever even read Borges. “Pfft. Why would I waste my time reading that crap?”
On a more serious note, a number of Gombrowicz books have been either retranslated or reissued over the past few years, including: Ferdydurke, Cosmos (hardcover from Yale is OP, paperback from Grove due out in September), Polish Memories, Bacacay, and A Kind of Testament. All are worth reading . . .
Here’s the opening of Jennifer’s review:
Darkly humorous, witty and terrifying, Witold Gombrowicz’s Pornographia translated for the first time into English out of the original Polish by Danuta Borchardt, captures the tense and surreal lives of two men looking for an escape from city life in 1943 Warsaw. The narrator, Witold Gombrowicz, and his companion, Fryderyk, leave the city and stay with Hipolit, his wife Maria and their daughter Henia and the farmhand Karol. It doesn’t take long for the men to grow bored of the quiet country life, causing them to devise intricate plans to get Karol and Henia to sleep together. They set up meetings and prod the teenagers with questions of sexual attraction to one another. These simple games escalate to a masterfully choreographed play, aimed at breaking-up Henia and her fiancé. Part joke and part perverse desire, Gombrowicz and Fryderyk’s plans take a bizarre turn following the murder of Henia’s future mother-in-law. Hidden notes, hostages, murder-conspiracies and the ultimate manipulation of youth, love and a detached thirst for power are now in play.
The immediate reaction to the title of this novel conjures images of sex, however the book deals with sexual desire in a round about way. It isn’t the actual act of sex that is pornographic, but its entanglement with power, domination, desire and obsession. Fryderyk and Gombrowicz believe themselves to be in control, but there are a few moments where the reader catches a glimpse of shifts in power, such as the scene where Karol, Henia and the two men are conversing outside.
Click here to read the full review.
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
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While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
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Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .