After months of reading, discussing, evaluating, and collaborating, the 14 fiction and poetry judges have settled on the 2011 Best Translated Book Award Finalists. Here’s the official press release.
Highlights from this year’s fiction list include Ernst Weiss’s Georg Letham: Physician and Murder, translated from the German by Joel Rotenberg; Tove Jansson’s The True Deceiver, translated from the Swedish by Thomas Teal; and Marlene Van Niekerk’s Agaat, translated from the Afrikaans by Michiel Heyns. And notable poetry finalists include Aleš Šteger’s The Book of Things, translated from the Slovenian by Brian Henry; and Ayane Kawata’s Time of Sky & Castles in the Air, translated from the Japanese by previous BTBA winner, Sawako Nakayasu.
“As in years past, the panels did a great job selecting their finalists,” said Chad W. Post, director of Three Percent. “There’s a lot of diversity here, in terms of original languages, in terms of style, in terms of original publication date, and in terms of reputation. These lists capture the wealth of exciting literature being produced outside our borders.”
The Best Translated Book Awards launched in 2007 as a way of bringing attention to great works of international literature. Original translations (no reprints or retranslations) published between December 2009 and November 2010 are eligible for this year’s award. Quality of the original book and the artistry of the English translation are the criteria used in determining the winning titles.
Overviews of the ten fiction finalists can be found at besttranslatedbook.org, and the five poetry finalists will be featured there and on Three Percent starting Monday, March 28th. Also available on besttranslatedbook.org are promotional posters and shelf talkers that booksellers can download for free.
The BTBA winners will be announced on Friday, April 29th at 9PM at the Bowery Poetry Club as part of the PEN World Voices Festival, with a celebration to follow. More details about the Award Ceremony will be available in mid-April.
Another change to this year’s BTBA, is that thanks to the support of Amazon.com (www.tinyurl.com/amazongiving), each winning author and translator will receive a $5,000 cash prize. The BTBA is one of several non-profit programs supported by Amazon.com that is focused on bringing more great works from around the world to English-language readers. Other recipients include the Pen American Center Translation Fund, Words without Borders, Open Letter, the Center for the Art of Translation, Archipelago Books, and the Ledig House International Writers Residency.
This year’s fiction judges are: Monica Carter (Salonica), Scott Esposito (Conversational Reading and Center for the Art of Translation), Susan Harris (Words Without Borders), Annie Janusch (Translation Review), Matthew Jakubowski (writer and critic), Brandon Kennedy (bookseller/cataloger), Bill Marx (PRI’s The World: World Books and The Arts Fuse), Michael Orthofer (Complete Review) and Jeff Waxman (Seminary Co-op and The Front Table).
The poetry judges are: Brandon Homquest (poet, translator, editor Asymptote Journal), Jennifer Kronovet (poet, translator), Erica Mena (poet, translator, host of the Reading the World Podcast), Idra Novey (poet, translator, Executive Director of Literary Translation at Columbia), and Kevin Prufer (poet, academic, essayist).
The 2011 BTBA Fiction Finalists (in alphabetical order by author):
The Literary Conference by César Aira, translated from the Spanish by Katherine Silver (New Directions)
The Golden Age by Michal Ajvaz, translated from the Czech by Andrew Oakland (Dalkey Archive)
A Life on Paper by Georges-Olivier Châteaureynaud, translated from the French by Edward Gauvin (Small Beer)
The Jokers by Albert Cossery, translated from the French by Anna Moschovakis (New York Review Books)
Visitation by Jenny Erpenbeck, translated from the German by Susan Bernofsky (New Directions)
Hocus Bogus by Romain Gary (writing as Émile Ajar), translated from the French by David Bellos (Yale University Press)
The True Deceiver by Tove Jansson, translated from the Swedish by Thomas Teal (New York Review Books)
On Elegance While Sleeping by Emilio Lascano Tegui, translated from the Spanish by Idra Novey (Dalkey Archive)
Agaat by Marlene Van Niekerk, translated from the Afrikaans by Michiel Heyns (Tin House)
Georg Letham: Physician and Murderer by Ernst Weiss, translated from the German by Joel Rotenberg (Archipelago)
The 2011 BTBA Poetry Finalists (in alphabetical order by author):
Geometries by Guillevic, translated from the French by Richard Sieburth (Ugly Duckling Presse)
Time of Sky & Castles in the Air by Ayane Kawata, translated from the Japanese by Sawako Nakayasu (Litmus Press)
Child of Nature by Luljeta Lleshanaku, translated from the Albanian by Henry Israeli and Shpresa Qatipi (New Directions)
The Book of Things by Aleš Šteger, translated from the Slovenian by Brian Henry (BOA Editions)
Flash Cards by Yu Jian, translated from the Chinese by Wang Ping and Ron Padgett (Zephyr Press)
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .