4 April 11 | Chad W. Post

Starting this week, we’ll be highlighting the five finalists in the poetry category for the BTBA. Similar to what we did for the fiction longlist, these will be framed by the question: “Why should this book win?”

Click here for all past and future posts in this series.

Today’s post is by poetry committee member Kevin Prufer.

The Book of Things by Aleš Šteger, translated by Brian Henry

Language: Slovenian
Country: Slovenia
Publisher: BOA Editions
Pages: 92

Why This Book Should Win: The poems in Aleš Šteger’s The Book of Things focus with nearly comic intensity on an array of everyday objects—an egg, a coat, a toothpick, a stomach. Here, a potato recollects the soil it came from. Or a hand dryer speaks a windy language we can’t quite understand. Or a doormat forgives us all. But Šteger’s poems go far beyond mere comic description, personification, or metaphor. Rather, his objects reflect our own strange complexities—our eagerness to consume, our rationalizations and kindness. Our many cruelties and our grandiosities.

Each of these fifty poems (the book includes seven sections of seven poems plus one introductory “proem” titled “A”) fixates with obsessive detail on a different, focusing on the turnings of its imagined mind. A loaf of bread “asks you to do him harm, for you to stab him / To shred him to pieces, consume his still warm body.” “Yes, yes,” Šteger concludes, “he loves you, that is why he accepts your knife. / He knows that all his wounds crumble in your hand.” Or, of a pair of windshield wipers, he writes: “Both of them hide something, / That is why they move in such harmony. / Like two serfs in black rubber boots.”

At times playful or grimly serious, the effect of these poems slowly gathers until one has the sense not of looking at everyday objects anew, but of being looked at anew by the once inconsequential objects that surround us. And, reflected in their many, multifaceted eyes, we do no fair well.

Šteger’s The Book of Things is harrowing and hilarious, unnerving and weirdly familiar—and, most of all, ambitious in its attempt to look anew into our all-too-human darkness. And translator, Brian Henry (himself a poet of significant talent) renders these poems beautifully into an English that is both colloquial and disconcertingly plainspoken.


Comments are disabled for this article.
....
Tristana
Tristana by Benito Pérez Galdós
Reviewed by Lori Feathers

The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .

Read More >

The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

Flesh-Coloured Dominoes
Flesh-Coloured Dominoes by Zigmunds Skujiņš
Reviewed by P. T. Smith

There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .

Read More >

Iraqi Nights
Iraqi Nights by Dunya Mikhail
Reviewed by Vincent Francone

In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .

Read More >

Three-Light Years
Three-Light Years by Andrea Canobbio
Reviewed by Tiffany Nichols

I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .

Read More >

The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >

Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >