Now that the 8th book in the Americas Series from Texas Tech has arrived, it seems like an opportune time to bring some attention to Irene Vilar’s exciting project.
Irene used to run this series out of the University of Wisconsin Press back in the early 2000s, but after leaving and writing a memoir (Impossible Motherhood, available from Other Press), she relaunched The Americas at Texas Tech with the publication of David Toscana’s The Last Reader, transated by Asa Zatz.
(Quick “let’s make fun of people who don’t understand the Internets” moment: I wanted to see which books ended up in the Wisconsin version of this series—I believe the Jorge Amado books were in this, but I can’t remember the others—so I visited this UWP page. Click on the link for “a list of the books in this series.” I dare you.)
The Last Reader sounds fantastic (see this earlier post), as do all of the other titles. Here’s a quick rundown of the ones I’m most interested in:
The Origin of Species and Other Poems by Ernesto Cardenal, translated from the Spanish by John Lyons.
Cardenal is considered by many to be one of Latin America’s greatest contemporary poets, and his work has been getting a lot of love of late. Pluriverse came out from New Directions a couple years back (see our review here), and did a great job encapsulating Cardenal’s 56-year career. This new book will likely get a ton of attention (more on that as it happens), and because of the new publication, Cardenal will be going on an extensive U.S. tour. (Check our translation events calendar for more specifics.)
The War in Bom Fim by Moacyr Scliar, translation from the Portuguese by David William Foster
Scliar—who passed away in February—is one of Brazil’s most beloved writers. A few of his books came out in the classic Avon series of Latin American authors, and a few others popped up here and there from a variety of presses, but I feel like his work has been underappreciated here in the States, and instead, he’s most known for thinking of suing Yann Martel for ripping his ass off for Life of Pi.
The War in Bom Fim sounds like a lot of fun (and will be the first of the series that I’m going to read and review):
What if, as David William Foster poses in his introduction to Brazilian author Moacyr Scliar’s novel, the Germans did choose to invade the Americas in the second World War? What if the Luftwaffe did plan to bomb American cities? [. . .]
With playful irony, homage to the Jewish folktale, a touch of magical realism, and keen insight into the customs and characters of this Yiddish-speaking melting pot, Scliar spins a fable of an imaginary war waged by the youngsters of Bom Fim. Brothers Nathan and Joel and their gang defend their quarter against a pretend German military invasion, while their parents deal with the quarrels and worries of the adult world. But which is more real? In Scliar’s richly layered fantasy Carnival and Pesach, Nazi and Jew, the consumer and the consumed, the grotesque and the quotidian intermingle unexpectedly amid the kitchens and alleys of Bom Fim.
The Fist Child by Lucia Puenzo, translated from the Spanish by David William Foster
Puenzo is a writer and filmmaker (she received a lot of praise of XXY as mentioned in our Granta post) and the movie adaptation of The Fish Child appeared at the 2009 Berlin Film Festival. Here’s the trailer:
Symphony in White by Adriana Lisboa, translated from the Portuguese by Sarah Green
Hut of Fallen Persimmons by Adriana Lisboa, translated from the Portuguese by Sarah Green
Both Lisboa books sound really interesting, and we have a forthcoming review of Symphony in White, which won the Jose Saramago Prize in 2003. Symphony in White focuses on two sisters, a “swirl of dark secrets,” and the “unspoken atrocities of the military dictatorship holding sway in their country.”
Hut of Fallen Persimmons just arrived the other week, and tells the story of Haruki and Celina’s trip to Japan. “Their trip to Kyoto provides a context for each to meditate on the past, their feelings for each other, and the questions of cultural difference. Through a counterpoint of narration and text, the pair’s losses and struggles gradually unfold.”
All with striking covers, these eight books make a fantastic collection. And I’m really looking forward to all the books Irene ends up including in the series. With a brilliant advisory board I have a lot of faith in the future of this series.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .