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The latest addition to our Reviews Section is a piece by Tim Nassau on Yu Jian’s Flash Cards, translated from the Chinese by Wang Ping and Ron Padgett, and published by Zephyr Press last year.
Most notably, Flash Cards is a finalist for this year’s BTBA for poetry. I’ll try to handicap the poetry titles tomorrow, but based on Tim’s review, I’m not so sure this book is going to pull it off . . .
Speaking of Tim, he was an intern here some summers ago and thanks to our special brand of Open Letter guidance, he’s going to be launching a student-centric literary translation journal out of Brown University. Our quixotic nature strikes again! (And as soon as the first issue drops, we’ll have more information.)
In the meantime, here’s the opening to Tim’s review:
A few weeks ago I was visiting my grandparents in the tiny town of Kewanee, Illinois. Their house, because it is the same house where my mother grew up with her brothers and sisters, is crammed with the detritus of several childhoods and adolescences. While looking through a closet, I found a sheet of paper hand painted with beautiful calligraphic Chinese characters. It surely belonged to my uncle, but curiosity, and the feeling that it might otherwise remain in that closet forever, compelled me to take the sheet back to Providence against what some might consider the standards of being a good guest. None of my friends who speak Chinese could read the characters, so I took the mystery to Xue Di, Brown’s resident dissident poet. He of course sent me to Wikipedia, where I learned that what I had was a famous line from 7th century poet Wang Bo. It translates to: “When one has a close friend, the far ends of heaven are next door.”
Such a sentiment is the exact opposite of what you will encounter in Flash Cards, a collection of poems by Yu Jian. Born in 1954, Yu Jian has been writing since the early 1970s. For those who know what such things mean, he is considered one of “The Third Generation Poets” that followed the “Misty Poetry” movement of the early 1980s. Part of the Zephyr Press’s Jintian series dedicated to making available contemporary Chinese works, this is Yu Jian’s first collection to appear in English.
Click here to read the full piece.
And stay tuned to find out how Flash Cards fares in the BTBA . . .
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Three Percent is supported in part by the New York State Council on the Arts.
