As mentioned before, I’m
obsessed interested in the ways in which readers find books—especially in the New Digital Reality of Facebook comments and whatnot. The idea of a “Pandora for Books” (or maybe better, a “Last.fm for Books”) has been batted around for sometime now, and apparently a few of the big corporate publishers are putting some $$$$ into just this idea.
the main goal of Bookish is to make recommendations about books that will appeal to a reader’s particular taste. He compared the site to things like IMDB and Rotten Tomatoes that mix information about movies with reviews and news. Editorial will include breaking news, author interviews, excerpts, reviews and other marketing materials that publishers feel will help readers pick a book, Lemgruber said. Although backed by Penguin, S&S and Hachette, Lemgruber stressed that Bookish will be editorially independent, covering books from all publishers (excluding vanity presses).
Penguin Group USA CEO David Shanks compared Bookish to Pandora and said unlike other sites that are driven by purchases, Bookish will make recommendations based on the information provided by consumers. “The more information readers provide the more customized the recommendations can be,” Shanks said, noting that Bookish is aimed at helping readers identify books they may like from the tens of thousands published annually. He said the three publishers came together after it became clear that their individual sites would never drive enough traffic to reach a critical mass of book buyers. As print media devotes less space to book coverage, the publishers felt they needed a way to raise the profile of their content, Shanks said.
As with the still not doing shit DiscoverReads, the proof is in the pudding, so to speak. And without being able to check out whether it recommends Harry Potter or The Pale King, based on my muted post horn tattoo it’s hard to say whether this algorithm is worth its weight in silicon. So we’ll see.
I’m all about the idea of recommending software/websites/apps/etc, mainly because I feel that the real challenge for book people in our Age of Abundance (everyone’s a writer! everyone’s a publisher! a million books is year is nothing!) is going to be hooking up the right reader with the right book at the right time. Maybe this is a step in the right direction . . .
Also curious to see how book reviewers respond to something like this. In a sense, a site that automates recommendations takes away a bit from their importance. Rather than puzzle out from a 1,000 word review if I should or shouldn’t read a book, I could just ask Bookish how well it “fits my criteria.”
It will also be interesting to find out how dispersed the recommendations are. I know there’s a better, more accurate statistical term for this that I can’t think of, but basically, will this site end up recommending pretty much the same books you see on tables at Barnes & Noble, or will it end up pushing readers down the “long tail” toward niche publications and books that are outside of the mainstream. There’s a fine balance to be struck here, one that Pandora is only so-so at (in my opinion).
All very curious that the tide has shifted in the direction we (people like myself and Richard Nash) have been talking about for some time now . . . Kind of cool to see a prediction start to come true . . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .