Back in February, shortly after returning from the Non-fiction Conference in Amsterdam, we ran this piece on the newly established European Literature Prize. Just to refresh your memory, this is based on the Independent Foreign Fiction Prize and the Best Translated Book Award and honors the best Dutch translations of European literary novels. At the time, the 20 title longlist had just been released, and contained a lot of interesting books—many of which hadn’t made their way into English.
Today, the chairman of the jury, Frans Timmermans, announced the five title shortlist:
Obviously, the Mitchell book was written in English (and is really quite amazing), but additionally Grøndahl, Topol, and NDiaye have all been published in the U.S. (Although not necessarily these particular titles.) Based on my knowlege of those four authors, I personally think this is a pretty solid list, and am really looking forward to the September 3rd announcement of the winner . . .
In the meantime, here are a few quotes from the jury about the shortlisted titles:
“The exceptionally original hybrid of fiction and non-fiction” in HHhH by Laurent Binet, a literary reconstruction of the assassination of leading Nazi Reinhard Heydrich and its consequences, “allows the reader to participate in the author’s quest, even when the sources contradict each other.” The result is both “an exciting novel and an idiosyncratic commentary on the writing of history.”
Dat weet je niet (Det gør du ikke) by Jens Christian Grøndahl is centred around the marriage between an artist and a Danish Jew. The jury praised this psychological novel for its “subtle and at the same time pitiless analysis of major topics such as origin, identity and intimacy. Skilful realism, quietly expressed.”
In De niet verhoorde gebeden van Jacob de Zoet (The Thousand Autumns of Jacob de Zoet) by David Mitchell we travel to Japan with a young clerk sent out there in 1799 to put affairs in order at a remote Dutch East India Company trading post. “A compelling piece of historical novel writing; pleasure in storytelling leaps from the pages.” The compliment applies to the translation as well. The care and suppleness with which the different voices and the historical vocabulary have been rendered in Dutch can only be called impressive.
“Strong characterization, magnificent literature” was the jury’s verdict after reading Drie sterke vrouwen (Trois femmes puissantes) by Marie NDiaye. This incisive triptych about family relationships, banishment and violence, set in France and Senegal, “offers a painful insight into human cruelty, human impotence and the survival instinct”. The melodious style of NDiaye’s writing has been exceptionally beautifully preserved in the Dutch translation.
With De werkplaats van de duivel (Chladnou zemí), Jáchym Topol has written a grotesque novel about the latter-day history of the notorious concentration camp at the Czech fortress town of Theresienstadt, recounting how a traumatic history is being transformed into commercial entertainment. The Czech Arnon Grunberg at his best: sardonic and intelligent in equal measure.
The European Literature Prize will be awarded in 2011 for the first time, recognizing the best novel translated into Dutch from another European language and published in 2010. The winning author will receive the sum of €10,000. The prize is exceptional in that it is also awarded to the Dutch translator of the chosen book; he or she will receive € 2.500. The longlist was selected by thirteen independent bookshops. A professional jury is responsible for selecting the shortlist and the winner.
And in case you’re interested, here’s the list of jury members and supporting bookstores:
Frans Timmermans, member of the Lower House, former Secretary of State for European Affairs (chairman)
Marja Pruis, author and literary critic for De Groene Amsterdammer
Guido Snel, lecturer in modern European literature at the University of Amsterdam, writer and literary translator
Herm Pol, Athenaeum Booksellers, Amsterdam
Edith Aerts, De Groene Waterman bookshop, Antwerp, Belgium
The European Literature Prize is an initiative of the Academic-Cultural Centre SPUI25, the Dutch Foundation for Literature, the weekly magazine De Groene Amsterdammer and Athenaeum Booksellers. The following independent bookshops participated in the selection process:
Athenaeum Boekhandel, Amsterdam
Boekhandel de Groene Waterman, Antwerpen
Boekhandel De Omslag, Delft
Boekhandel H. de Vries, Haarlem
Boekhandel Het Martyrium, Amsterdam
Boekhandel Krings, Sittard
Literaire Boekhandel Lijnmarkt, Utrecht
Boekhandel Paagman, Den Haag
Boekhandel van Gennep, Rotterdam
Boekhandel Verkaaik, Gouda
Eerste Bergensche Boekhandel, Bergen N-H
Linnaeus Boekhandel, Amsterdam
Boekhandel Van Rossum, Amsterdam
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .