17 June 11 | Chad W. Post

The latest addition to our Reviews Section is a piece by Will Eells on An Empty Room: Stories by Mu Xin, translated from the Chinese by Toming Jun Liu, and available from New Directions.

Will has become a regular contributor for Three Percent, and is likely to be reviewing even more for us now that he’s graduated with his degree in Japanese and certificate in literary translation.

Here’s the opening of his piece on An Empty Room:

Like countless other foreign authors, Mu Xin is only just now getting his first collection of fiction published in English with An Empty Room, though he has more than twenty books published in mainland China. What seems all the more tragic is that many of these works were written while Xin was living in the United States, as almost all his previous literary and artistic works had been destroyed in the social turmoil of post World War II and mid-Cultural Revolution China. Luckily, English readers now have An Empty Room, a stunning, beautiful collection of fiction that hopefully will lead to more of his work in the future.

In the translator’s afterword for An Empty Room, Toming Jun Liu states that the thirteen stories collected in this collection can be read individually or as a linked story cycle akin to a kind of bildungsroman. And it is quite tempting to do so. Most of the stories are written like long-ago memories being recalled, often melancholy stories of growing up: both the natural growing up of a child, and the unnatural maturation that hits a young adult confronted with tragedy. All the stories are written in the first person too, so though the titles change, the narrator seems constant, even in stories like “Quiet Afternoon Tea,” which follows Alice and takes place in a post-war Britain.

What is particularly interesting about this collection of “stories” is how personal they seem, and how un-story like they can be. “Tomorrow I’ll Stroll No More” is less a short story than a curious little essay, like the kind of internal monologue one has when talking a long walk by themselves (which is actually what the narrator is doing in the piece—talking a stroll through Queens, New York). Translator Jun Liu attributes this as Xin’s affinity with the Chinese prose style sanwen (which is usually just translated as “prose”), a classical Chinese genre of writing that “freely crosses the boundaries of poetry, meditative essay, and fiction.” I personally did not respond as strongly to “Tomorrow I’ll Stroll No More” than to some of the other pieces in this collection, but that, of course, is one of the many road bumps one has to deal with when faced with artistic standards and styles that differ from one’s norm. But what ties almost all the pieces together is their sense of pure storytelling—like the narrator is a close friend, telling you the reader his most cherished personal anecdotes and feelings.

Click here to read the entire review.


Comments are disabled for this article.
....
Sphinx
Sphinx by Anne Garréta
Reviewed by Monica Carter

Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .

Read More >

Morse, My Deaf Friend
Morse, My Deaf Friend by Miloš Djurdjević
Reviewed by Vincent Francone

There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .

Read More >

The Crimson Thread of Abandon
The Crimson Thread of Abandon by Terayama Shūji
Reviewed by Robert Anthony Siegel

The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .

Read More >

Life Embitters
Life Embitters by Josep Pla
Reviewed by Christopher Iacono

Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .

Read More >

The Physics of Sorrow
The Physics of Sorrow by Georgi Gospodinov
Reviewed by Izidora Angel

“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .

Read More >

Vano and Niko
Vano and Niko by Erlom Akhvlediani
Reviewed by Vincent Francone

What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .

Read More >

The Indian
The Indian by Jón Gnarr
Reviewed by P. T. Smith

The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .

Read More >

Mother of 1084; Old Women; Breast Stories
Mother of 1084; Old Women; Breast Stories by Mahasweta Devi
Reviewed by Christopher Iacono

Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .

Read More >

Tristana
Tristana by Benito Pérez Galdós
Reviewed by Lori Feathers

The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .

Read More >

The History of Silence
The History of Silence by Pedro Zarraluki
Reviewed by P. T. Smith

Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >