As part of this week’s Read This Next activities, we just published an interview with Karen Gernant and Chen Zeping about their translation of Can Xue’s Vertical Motion.
Here’s an excerpt:
Read This Next: You’ve been working with Can Xue for a while now. How did you first discover her work?
Chen Zeping: We had read some of her short stories along with some by other avant-garde writers. After translating one story for Manoa and one for Conjunctions, we continued translating stories by Can Xue whenever either she or editors invited us to do so.
Karen Gernant: Another translator, Herbert Batt, was serving as guest editor for an issue of Manoa that was published in 2003. He asked us if we would like to translate some stories by the avant-garde writer Can Xue. We translated five, of which Manoa’s editor Frank Stewart selected one. Can Xue evidently liked our work, for when Conjunctions editors Brad Morrow and Martine Bellen solicited a story from her for an issue that also appeared in 2003, she turned to us to translate the story.
RTN: Can Xue’s writing is simultaneously straightforward—it’s not complicated to read from sentence to sentence—and complex—the straightforwardness masks a great deal of narrative depth. As translators, does this style pose any special challenges?
CZP: I understand that the translators’ job is to transfer the works into another language in such a way as to convey the original. We avoid adding any interpretation if we do not have to. In most cases, CX’s stories have their own surface logic so that sentences are also logically connected.
KG: As Chen Zeping suggests, we translate what we see on the page, allowing readers to interpret these words as they choose. We think that readers must enter into Can Xue’s stories in order to understand them. But we do not think it’s our job as translators to lead readers toward that understanding.
Click here to read the whole interview.
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