Following up on Monday’s post, today is the official release day for The Three Percent Problem: Rants and Responses on Publishing, Translation, and the Future of Reading.
This “best of” collection is a fairly coherent survey of the contemporary publishing scene, ranging from an explanation of the economics of publishing translations, to profiles of translators, to rants about book marketing, technology, and 99 cent ebooks. It’s sort of like Andre Schiffrin’s The Business of Books, but with a lot more swearing.
Since the point of Three Percent is to support international literature, all of the proceeds from the sale of this $2.99 ebook will go directly to paying translators. So, in a way, you can think of this as a sort of $3, non tax-deductible, translation . . .
I’m urging everyone I know to buy this today, so that we can game the ranking system, and hopefully get this into the hands of readers who don’t otherwise support international literature.
So, go buy it now! (And gift a copy to all of your friends!)
Thanks in advance for your support, and I really hope you enjoy this!
Here’s the Amazon listing, and the one at BN.com. And if you don’t have a Kindle proper, but want to read this, here are links to all the various Kindle apps: iPhone, Droid, Blackberry, Windows Phone, Kindle for PC app, Kindle for Mac app, and the Kindle Cloud Reader.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .