Following up on Monday’s post, today is the official release day for The Three Percent Problem: Rants and Responses on Publishing, Translation, and the Future of Reading.
This “best of” collection is a fairly coherent survey of the contemporary publishing scene, ranging from an explanation of the economics of publishing translations, to profiles of translators, to rants about book marketing, technology, and 99 cent ebooks. It’s sort of like Andre Schiffrin’s The Business of Books, but with a lot more swearing.
Since the point of Three Percent is to support international literature, all of the proceeds from the sale of this $2.99 ebook will go directly to paying translators. So, in a way, you can think of this as a sort of $3, non tax-deductible, translation . . .
I’m urging everyone I know to buy this today, so that we can game the ranking system, and hopefully get this into the hands of readers who don’t otherwise support international literature.
So, go buy it now! (And gift a copy to all of your friends!)
Thanks in advance for your support, and I really hope you enjoy this!
Here’s the Amazon listing, and the one at BN.com. And if you don’t have a Kindle proper, but want to read this, here are links to all the various Kindle apps: iPhone, Droid, Blackberry, Windows Phone, Kindle for PC app, Kindle for Mac app, and the Kindle Cloud Reader.
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .