Following up on Monday’s post, today is the official release day for The Three Percent Problem: Rants and Responses on Publishing, Translation, and the Future of Reading.
This “best of” collection is a fairly coherent survey of the contemporary publishing scene, ranging from an explanation of the economics of publishing translations, to profiles of translators, to rants about book marketing, technology, and 99 cent ebooks. It’s sort of like Andre Schiffrin’s The Business of Books, but with a lot more swearing.
Since the point of Three Percent is to support international literature, all of the proceeds from the sale of this $2.99 ebook will go directly to paying translators. So, in a way, you can think of this as a sort of $3, non tax-deductible, translation . . .
I’m urging everyone I know to buy this today, so that we can game the ranking system, and hopefully get this into the hands of readers who don’t otherwise support international literature.
So, go buy it now! (And gift a copy to all of your friends!)
Thanks in advance for your support, and I really hope you enjoy this!
Here’s the Amazon listing, and the one at BN.com. And if you don’t have a Kindle proper, but want to read this, here are links to all the various Kindle apps: iPhone, Droid, Blackberry, Windows Phone, Kindle for PC app, Kindle for Mac app, and the Kindle Cloud Reader.
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .