As you probably already know, since our inception, we’ve offered subscriptions to Open Letter. You can subscribe for six months or a year and receive every title that we publish during that time, which means that you receive a book about every five weeks. Also included is a letter explaining how we came to publish that book, and some other additional information, such as an interview with the author or translator, or an article about the book, or something.
Anyway, for the rest of the month, we’re offering a special deal: for anyone who renews or buys a new subscription, we’ll add on 1 extra book to a six-month subscription, and 2 extra books if you sign up for a year.
In other words, for $60 you’ll get 6 Open Letter titles, and for $100 you’ll get 12.
It’s impossible to overstate the importance of subscriptions to the functioning of Open Letter. Although the majority of our sales are through bookstores, subscriptions make up a decent percentage. And provide us with a chance to be in touch with some of our biggest fans—something that I truly appreciate. I love writing the letters that go along with the books, and I really enjoy hearing back from subscribers.
All of the money from subscriptions goes back into doing all the things we do: publishing international literature, running this site, putting together the Reading the World Conversation Series, maintaining the translation database, running the Best Translated Book Awards, doing the Three Percent podcast . . . .
If you sign up now, the first book you’ll receive is Dubravka Ugresic’s Karaoke Culture, which was recently excerpted at both The Paris Review and Asymptote.= After that you’ll receive Milen Ruskov’s Thrown into Nature, Juan Jose Saer’s Scars, Eduardo Chirinos’s The Smoke of Distant Fires, Svetislav Basara’s The Cyclist Conspiracy, Kristin Omarsdottir’s Children in Reindeer Woods, Jerzy Pilch’s My First Suicide, Sergio Chejfec’s The Planets, an anthology of young Latin American writers entitled The Future Is Not Ours, Benjamin Stein’s The Canvas, and Quim Monzo’s A Thousand Morons, along with many other wonderful titles from around the world.
Thanks in advance, and I hope you enjoy all of the books . . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .