Seems like today is a day of award announcements . . . The International Prize for Arabic Fiction (aka, the Arab Booker) started five years ago as a way of bringing more international attention to great works of arabic literature. So far, they’ve given the award to five titles (two won last year), and all five—Sunset Oasis by Bahaa Taher, Azazel by Youssef Ziedan, Spewing Sparks as Big as Castles by Abdo Khal, The Arch and the Butterfly by Mohammed Achaari, and The Doves’ Necklace by Raja Alem—have all found English language publishers. (A number of these books are coming out in 2012, which is why you might not have heard of them yet.)
The six shortlisted authors (which will be announced on December 7th), each receive $10K, and the winning author (announced March 27th, right before the start of the Abu Dhabi International Book Fair), receives an additional $50K.
Thirteen novels are on this year’s longlist, including the new book from 2009 winner Youssef Ziedan, books from Jabbour Douaihy, Habib Slmi, and Rabee Jaber, who were all on the shortlist in the past, and Ezzedine Choukri Fishere, who was longlisted in 2009. (Interesting & encouraging to see some repeat authors on the list.)
There’s not a lot of info available about the books themselves on the Arabic Fiction site, but if I find descriptions somewhere else, I’ll put them up in a separate post. I’m sure there will be a lot more info about the six finalists, but for now, here’s a list of all the books in the running:
Sarmada by Fadi Azzam (Syria)
Paving the Sea by Rashid al-Daif (Lebanon)
The Vagrant by Jabbour Douaihy (Lebanon)
Embrace on Brooklyn Bridge by Ezzedine Choukri Fishere (Egypt)
The Druze of Belgrade by Rabee Jaber (Lebanon)
The Unemployed by Nasr Iraq (Egypt)
Toy of Fire by Bashir Mufti (Algeria)
Under the Copenhagen Sky by Hawra al-Nadawi (Iraq/Denmark)
Suitcases of Memory by Sharbel Qata (Lebanon)
Nocturnal Creatures of Sadness by Mohamed al-Refai (Egypt)
The Women of al-Basatin by Habib Selmi (Tunisia)
The Amazing Journey of Khair al-Din ibn Zard by Ibrahim al-Zaarur (Jordan)
The Nabatean by Youssef Ziedan (Egypt)
And here’s a quote from the 2012 Chair of Judges about the longlist: “The fifth cycle of the International Prize for Arabic Fiction takes place in exceptional circumstances, with many Arab uprisings against despotic regimes which have been entrenched in most regions of the Arab world for long decades. Without actually asserting that the novels nominated for this prize cycle directly prophesy the Arab Spring, we can say that many of them paint a picture of the stifling conditions prevalent before the explosion of uprisings. They take the reader into the underground world of the secret police and portray the thirst for freedom of many of their heroes and secondary characters, at the same time exposing the opportunism of those who co-operate with those secret forces.”
Can’t wait to find out more . . . And hopefully be able to read a few of these books.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .