Our second (and final!) Reading the World Conversation Series event of the fall is happening in just a few days. As always, it’s taking place in Rochester, NY. So, if you’re in the area, you’d better check it out—lest all your friends go without you and bond intimately over the great time they all had (true story).
Here are the rousing details:
Reading the World Conversation Series:
Sergio Chejfec & Margaret B. Carson
DECEMBER 1, 2011
Thursday, 6:00 p.m
Plutzik Library in Rare Books & Special Collections
Rush Rhees Library, University of Rochester
(Free and open to the public.)
Sergio Chejfec is the author of a dozen books, three of which are coming out from Open Letter Books: My Two Worlds (available now), The Planets (2012), and The Dark (2013). Spanish author Enrique Vila-Matas singled out My Two Worlds as one of the “best books of the year.” The English edition has been universally praised, with Publishers Weekly saying Margaret B. Carson’s “magnificent translation” should be “treated as a significant event.”
My Two Worlds is a novel about an author walking through a city in the South of Brazil. As he wanders, this unnamed narrator thinks about his walk, about his new book (which isn’t getting very good reviews), and about his life (his birthday is a few days away).
Chejfec and Carson will discuss this novel, literature, and the process of translation.
(Sponsored by The Dept. of Rare Books, Special Collections & Preservation)
(This event is presented by Open Letter and University of Rochester Arts & Sciences. It is supported in part by the National Endowment for the Arts and the New York State Council on the Arts.)
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
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Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .