This week’s Read This Next title is Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic, edited by Eduardo Jimenez Mayo and Chris N. Brown, with an introduction from Bruce Sterling. This will be officially available from Small Beer Press is bringing this out in late-January, but it can be preordered here.
Here’s the description from Small Beer’s website:
This huge anthology of more than thirty all-original Mexican science fiction and fantasy features ghost stories, supernatural folktales, alien incursions, and apocalyptic narratives, as well as science-based chronicles of highly unusual mental states in which the borders of fantasy and reality reach unprecedented levels of ambiguity. Stereotypes of Mexican identity are explored and transcended by the thoroughly cosmopolitan consciousnesses underlying these works. It is a landmark of contemporary North American fiction that deserves a wide readership.
“Photophobia,” by Mauricio Monteil Figueiras.
You can tell from the start that “Photophobia” is more sophisticated than most stories in this collection—the vocabulary is complex, the concept unquestionably cerebral. An apocalyptic narrative is told through stream-of-consciousness storytelling that cleverly distracts from the story’s premise until the ending begins to shed some light on the narrator’s purpose and motives. The tale stands out in this populist collection of stories like a sore thumb, but I’m glad it was included. Here is a typical (and excellent) sentence:
“Eternity, he thought, pocket apocalypses: man has not learned the lessons of history, he is still the ignorant student who recorded his confusion in the caves of Altamira—it’s just that the caves have become tabloids.”
“The Drop” by Claudia Guillén.
In “The Drop,” a depressed young woman refuses to leave her room, watching drops of water fall to the floor. Her mother (the stated villain of the piece) claims that if the dripping stops, her child will die. A visiting doctor learns about himself as he studies the girl. That’s it, the entire premise. But the story is well-told, the ending surprising, and it’s the kind of eerie tale that sticks with you.
All of the past RTN featured titles can be found here.
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
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Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
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After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .
One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .