10 January 12 | Chad W. Post

The latest addition to our Book Reviews section is a piece by Monica Carter on Inka Parei’s The Shadow-Boxing Woman, which is available from Seagull Books and translated from the German by Katy Derbyshire.

Monica Carter is a regular reviewer for Three Percent. She also runs Salonica World Lit and, as part of her participation in the Mark Program, has been blogging for PEN Center USA.

Katy Derbyshire runs the fantastic Love German Books blog and is becoming one of Seagull’s go-to translators. (She’s done a number of books, but I can’t find a list online. Perhaps because Katy’s too modest to post her accomplishments on her website . . .)

Seagull Books is mystifyingly awesome. They seemed to come from out of nowhere and are doing amazing work. They’ve published works by Max Frisch and Thomas Bernhard and Tzevtan Todorov and Imre Kertesz and Abdourahman Waberi and Ivan Vladisclavic. They run a publishing school in India. They are helping to get the incredible Cahiers Series distributed in the U.S. And their “catalog” is the most amazing printed object I own. I can’t reproduce the incredible quality of this online, but maybe these two mediocre pictures will give you a sense.



Here’s the opening of Monica’s review:

Fiction post-Berlin Wall (and I am referring to immediately post-Berlin Wall) is rarely told in the way that Inka Parei has done in The Shadow-Boxing Woman. The prose imitates the dark, crumbling and ravaged atmosphere of East Berlin as well as the psychological state of the narrator, aptly named Hell. Parei sets out to write a post-modern novel about a post-era Germany. The Shadow-Boxing Woman delves deep into the wreckage of East Berlin, both physically and emotionally, by examining the minutest of details, the myopia of Hell’s world, and how fearful she is of exploring the world that just opened around her.

With Parei’s frugal and brutal prose, the reader immediately sees the rotting, barren buildings and neighborhoods, the poverty of her life, and an overwhelming sense that Hell is a forgotten human being. The abandoned apartment building she lives in with one other neighbor is disgusting: “The paint is hideous. Emitting a matt sheen and almost impossible to remove it, it resembles the excrement the German Shepherds deposit on the pavements here, fed on rust-coloured lumps of pre-processed food.” The only person determined enough to stay here in this building is her neighbor, Dunkel. Dunkel and Hell don’t speak much to each other, but when Dunkel suddenly leaves, Hell feels unstable and desperate to find her.

This relationship sets up the crime novel dynamic, although it is conveyed so subtly the reader never feels as if they are a classic “crime novel.” It seems more of a awkward love story, which it is not.

Click here to read the entire review.


Comments are disabled for this article.
....
Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >

Mr. Gwyn
Mr. Gwyn by Alessandro Baricco
Reviewed by Paul Doyle

Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .

Read More >

Bombay Stories
Bombay Stories by Saadat Hasan Manto
Reviewed by Will Eells

I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .

Read More >

The Gray Notebook
The Gray Notebook by Joseph Pla
Reviewed by Christopher Iacono

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >