16 January 12 | Chad W. Post

This morning, Banipal announced that Khaled Mattawa has won of the sixth annual Saif Gobash-Banipal Prize for Arabic Literature for his translation of the Selected Poems of Adonis, published by Yale University Press.

They also named Barbara Romaine as the runner-up for her translation of Spectres by Radwa Ashour (published by Interlink), and “commended” Maia Tabet for her translation of White Masks by Elias Khoury (Archipelago).

The press release contains a ton of info about all these books and translators, so rather than crib from this, I’m just going to post it all below:

The Judges’ Announcement


Khaled Mattawa for his translation of Adonis: Selected Poems

Khaled Mattawa’s translation of this selection of Adonis’s poetry is destined to become a classic. It is a monumental piece of work, a long-overdue compendium of works by one of the most important poets of our time, a contribution to world literature that demonstrates the lyricism and full range of Adonis’s poetry. The translations are supple and fluent, flexible yet accurate, consistently sensitive to the poet’s nuances, and beautifully render into English Adonis’s modernist sensibilities. Anglophone readers will gain a new appreciation of why Adonis has so often been likened to TS Eliot and Ezra Pound, with the freshness of his lines and imagination liberated from the self-conscious archaism of other translations, and allowing his unique reworking of the legends of East and West, the arcs of love and death, to spring forth. This book should ensure that Western readers recognize the significance of Adonis’s contribution to world poetry.

Adonis is internationally known as a poet, theoretician of poetics and thinker, a patriarch of modern Arabic literature whose poetry resonates with universal dimensions. Known for his biting criticism of the dominating influence of Islamic ideology on modern Arabic literature, his influential, daring and experimental works of poetry enjoin the present with the past while giving perspectives into the future. Adonis’s poems in their original Arabic are not easy, in fact they are difficult and complex. They are multi-layered with history, myths and ideas, rooted in metaphors, symbols and surrealist images, and wide-ranging in genre and styles – all woven within a fine and concise language.

It was an immense challenge that faced the talented poet-translator Khaled Mattawa in translating Adonis’s poems to English or, as is often said in the Arab world, to the “language of Shakespeare”, and he has succeeded most eminently. Adonis: Selected Poems is a substantial and comprehensive volume covering over half a century of Adonis’s works from 1957 to 2008. Khaled Mattawa has brought Adonis’s poems to the English language with a musicality and aesthetic sensitivity that echo their innovative, conceptual and stylistic complexities – and in doing so he has created an original, powerful and lyrical poetic work in English. In a word: stunning.

On learning the news director of Yale University Press John Donatich commented: “It is very gratifying to see Adonis and his wonderful translator Khaled Mattawa receive this prestigious award. I know from personal experience how many readers have been so moved by these Selected Poems; it is so important that other people discover the work.”


Barbara Romaine for her translation of Spectres by Radwa Ashour

Radwa Ashour’s Spectres is an ambitious and moving blend of autobiography, history, politics and fiction telling the story of Egypt since the 1950s through the experiences of two women who are each other’s ghostly doubles. This experimental novel, which is political in the best sense, needs a confident translator, and has found one in Barbara Romaine. Her impressive translation renders the metaphorical power of Ashour’s story with grace and subtlety, skillfully reflecting the shifts in time and the different voices and registers. Fluent and refreshing, Romaine has done a brilliant job.


Maia Tabet for her translation of White Masks by Elias Khoury

First published in Arabic in 1981, White Masks was one of the first novels that dared to address the civil war in Lebanon, the terrible atrocities, and the war’s reflection in the daily lives of the people. Bringing home the dreadful reality of civil war, it is a fascinating investigation into investigation itself, telling the story of the murder of one man during the Lebanese Civil War, and showing the chaos and incoherence of history as it emerges, and the importance of personal stories to counteract and contain the messiness of history. Elias Khoury’s language is smooth and poetic, and finds its parallel in the masterful translation of Maia Tabet which brings the immediacy of the story to life, without sacrificing the nuances of Khoury’s moral and philosophical questions, transposing the colour and originality of the Arabic into wonderfully lucid prose.

Comments are disabled for this article.
Dinner by César Aira
Reviewed by Lori Feathers

César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .

Read More >

We're Not Here to Disappear
We're Not Here to Disappear by Olivia Rosenthal
Reviewed by Megan C. Ferguson

Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .

Read More >

The Queen's Caprice
The Queen's Caprice by Jean Echenoz
Reviewed by Christopher Iacono

Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .

Read More >

French Concession
French Concession by Xiao Bai
Reviewed by Emily Goedde

Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .

Read More >

Anna Karenina
Anna Karenina by Leo Tolstoy
Reviewed by Christopher Iacono

For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .

Read More >

The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >