The Literary Saloon has some coverage of a panel that Chad was on, called ‘Promoting Literature in Translation Online’:
While familiar with the sites, it was interesting to hear what they were doing and what they had planned, especially as several of the sites are in the process of being overhauled (or, in the case of Words without Borders, recently were). There is a good deal — and variety — of information available among them, even as they have different, sometimes overlapping objectives. Speaking for Dalkey, Martin Riker noted the difficulty of serving both a public non-profit objective (i.e. largely informational) as well as being on some level a commercial publisher (i.e. selling books) — albeit with non-profit status — an issue Open Letters will eventually also face. The French organizations are there to try to promote specifically French titles, while In Translation, Ww/oB, and, to some extent, PEN are trying to promote foreign literature and translators.
They also take issue with the idea of RSS feeds, saying, ‘I always think the emphasis should be on actual content’. We agree, which is why people who subscribe to our RSS feed get access to all of our content through their readers.
And he called us Open Letters, but what’s an extra ‘s’ between friends?
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .