The people at Very Short List were kind enough to ask me to put together a special list featuring items related to World in Translation Month.
For anyone who doesn’t know, VSL started a few years ago with a very simple idea: every day subscribers would receive an email highlighting one cool and interesting thing. Could be a book, a website, a short video, whatever—just something interesting to check out. Over time, the site has evolved a bit, and the new format is based on having three links: one featured idea and two related things.
To see the email/feature in its colorful glory, simply click here.
Just to dwell on the Bill Johnston t-shirt for a minute, this is something that Kaija Straumanis designed as a way of honoring Bill—this year’s winner of the BTBA for his translation of Wieslaw Mysliwski’s Stone Upon Stone. The plan is to sell these through Archipelago’s site, and at the ALTA conference this fall. (And to make up t-shirts for other BTBA winners . . . )
Proceeds from sales of these shirts are being split among all worthy parties, so by buying this, not only will you be pimping one of the greatest translators working today, but you will be helping out Archipelago Books and Open Letter. And beyond that, it’s just totally rad.
Here’s the front graphic:
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .