The people at Very Short List were kind enough to ask me to put together a special list featuring items related to World in Translation Month.
For anyone who doesn’t know, VSL started a few years ago with a very simple idea: every day subscribers would receive an email highlighting one cool and interesting thing. Could be a book, a website, a short video, whatever—just something interesting to check out. Over time, the site has evolved a bit, and the new format is based on having three links: one featured idea and two related things.
To see the email/feature in its colorful glory, simply click here.
Just to dwell on the Bill Johnston t-shirt for a minute, this is something that Kaija Straumanis designed as a way of honoring Bill—this year’s winner of the BTBA for his translation of Wieslaw Mysliwski’s Stone Upon Stone. The plan is to sell these through Archipelago’s site, and at the ALTA conference this fall. (And to make up t-shirts for other BTBA winners . . . )
Proceeds from sales of these shirts are being split among all worthy parties, so by buying this, not only will you be pimping one of the greatest translators working today, but you will be helping out Archipelago Books and Open Letter. And beyond that, it’s just totally rad.
Here’s the front graphic:
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .
Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .
On that September 11th I had a conversation with a professor friend who was teaching a creative writing class that evening. He questioned, “What can I possibly teach when all of this has happened?” While the dismay and grief were. . .
In a story of two emotionally distant people, Japanese author Takashi Hiraide expertly evokes powerful feelings of love, loss, and friendship in his novel The Guest Cat. The life of the unnamed narrator and his wife, both writers, is calm. . .