The people at Very Short List were kind enough to ask me to put together a special list featuring items related to World in Translation Month.
For anyone who doesn’t know, VSL started a few years ago with a very simple idea: every day subscribers would receive an email highlighting one cool and interesting thing. Could be a book, a website, a short video, whatever—just something interesting to check out. Over time, the site has evolved a bit, and the new format is based on having three links: one featured idea and two related things.
To see the email/feature in its colorful glory, simply click here.
Just to dwell on the Bill Johnston t-shirt for a minute, this is something that Kaija Straumanis designed as a way of honoring Bill—this year’s winner of the BTBA for his translation of Wieslaw Mysliwski’s Stone Upon Stone. The plan is to sell these through Archipelago’s site, and at the ALTA conference this fall. (And to make up t-shirts for other BTBA winners . . . )
Proceeds from sales of these shirts are being split among all worthy parties, so by buying this, not only will you be pimping one of the greatest translators working today, but you will be helping out Archipelago Books and Open Letter. And beyond that, it’s just totally rad.
Here’s the front graphic:
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .