31 May 12 | Chad W. Post

Jill Timbers is a translator from Finnish to English who recently posted on the ALTA listserve about a very curious situation going on in Finland w/r/t the new J.K. Rowling book. I asked her to expand on this a bit, since it’s a situation that raises all sorts of questions about translation quality, profit versus art, and how all of this plays out in a country where people can read English “good enough.”

Are quality translations at risk?

A new book by J.K. Rowling of Harry Potter fame is due for release in English on September 27, 2012. You’ve surely seen the hype.

I wrote about its translation into Finnish for Lisa Carter’s blog, Intralingo.

In brief: Otava, the Finnish publisher that won the bidding rights to this new book, wants to capitalize on the moment. Although translators are not permitted to see the Rowling book before it is actually published, Otava wants the Finnish translation ready for the Christmas sales period—and is requiring the translator to turn in the fully polished and completed Finnish translation by October 18. That’s exactly three weeks from receipt of text to completion. The book is supposed to have 480 pages. Do the math: 23 pages of polished final text every day for 21 days in a row—without even allowing for time to read the book.

Jaana Kapari, who translated the Harry Potter series, declined. Another translator has agreed to the terms.

Here are some of the issues this raises. You’ll find more.

What kind of translation can one produce at that pace? Where is there time to search for nuance and recreate word play?

Finnish is not an Indo-European language. Even if such a frenetic pace were conceivable in French or German, say, how can one transfer 480 pages of English into true, uncorrupted Finnish in that period? Finns often lament how English is seeping into their language. People even use a literal version of “in the long run” nowadays, which makes purists cringe. In contrast, readers comment on the brilliant language Kapari employs in her beautiful Finnish translations of Harry Potter. What will happen now?

Will Rowling care?

No one has yet to see Rowling’s newest novel. We can wonder: what is important in her text? Is conveying the storyline enough, or do her language and style deserve painstaking transferral?

As in so many countries, nowadays most Finns can read English. Pretty well. Well enough? Will a fast Finnish translation offer the same experience or perhaps a better experience than a sort-of comprehension of the source text? Both situations could involve missing out on . . . lots.

Then again, if translations do not recapture the original in all its depth and color, will the Finnish readers settle for an adequate grasp by reading only the English, and will best sellers ultimately not be translated into Finnish at all?

UPDATE: Just got a new message from Jill about how the German translator was able to read a copy of the book before starting the translation. There’s speculation about whether the German publisher paid extra for this right, and whether the Finnish publisher decided to forgo that possibility. Interesting.


Comments are disabled for this article.
....
Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >

Mr. Gwyn
Mr. Gwyn by Alessandro Baricco
Reviewed by Paul Doyle

Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .

Read More >

Bombay Stories
Bombay Stories by Saadat Hasan Manto
Reviewed by Will Eells

I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .

Read More >

The Gray Notebook
The Gray Notebook by Joseph Pla
Reviewed by Christopher Iacono

Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >