Michael Wallner’s second novel opens with its female protagonist watching as a bearded man goes for a swim in the river. It is twenty degrees below zero and windy. Welcome to 1960’s Moskva (not Moscow), a place where national elites eat zakuski instead of hors d’oeuvres and drive chaiki instead of limos.

Atmosphere is no doubt one of The Russian Affair’s strongest suits. The book presents an account of everyday life during the Brezhnev era that is both knowledgeable and authentic. Not all of it will come as a surprise to Western readers. The use of newspaper instead of toilet paper, the endless lines, the resentment toward elite privilege – these were all details of daily life in communist Russia that were well-reported in the West. Wallner references these facts early on in the book (one imagines that he would have to), but he doesn’t stop there. He uncovers an astounding variety of day-in-the-life minutiae that will be surprising and fascinating to most. He describes the struggle for necessities like screws and washers, the angling for a grave within the Moscow city limits, the ability of any government vehicle to supersede traffic law, the bath houses, the almost religious importance society invested poetry, etc. The details roll on and on without becoming dull. One could almost believe that the German screenwriter/author had grown up there.

Even though Wallner’s story is best classified as an erotic thriller, the book is clearly in dialogue with Anna Karenina. His female lead, Anna, was named by her father, a state-sponsored poet, whose oeuvre bears a resemblance to the writings of Isaac Babel. Unlike Tolstoy’s Karenina, Wallner’s Anna is both a realist and a pragmatist. A married woman with proletarian concerns, her affair has little to do with either sex or love. It has a lot more to do with getting good health care for her child and escaping the drudgery of her practical marriage. The tension driving the novel does not come primarily from the psychological tension in Anna’s head over her affair, but rather from the high-stakes political intrigue into which she has been thrust. The differences between The Russian Affair and Anna Karenina provoke reflection on the eccentricities of the era, as well as on our own book-publishing climate.

John Cullen’s translation reads briskly. Its prose is rich in detail, but is not overly ornate:

Gray-brown buildings with missing plaster, a collapsing barbed wire fence, a street full of potholes, the rusting skeleton of a cannibalized tractor at the side of the road. Across the street a storefront whose sign was missing so many letters that the word bakery could barely be deciphered. Anna’s heart sank; in the middle of the street, she turned around in a circle. Silence reigned, but somewhere far off, a generator was running. The air smelled like fire. (The Russian Affair, 386)

Wallner’s second novel is a solid follow-up to his debut, April in Paris, and a strong entry to the erotic-thriller market. He continues to hone his social-history intensive style, which brings an intellectual edge unique to his preferred genre.


Comments are disabled for this article.

....

The Russian Affair
By Michael Wallner
Translated by John Cullen
Reviewed by Brian Libgober
400 pages, hardcover
ISBN: 9780385532396
$26.95
In Times of Fading Light
In Times of Fading Light by Eugen Ruge
Reviewed by Phillip Koyoumjian

The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .

Read More >

The Antiquarian
The Antiquarian by Gustavo Faverón Patriau
Reviewed by P.T. Smith

Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .

Read More >

Elsewhere
Elsewhere by Eliot Weingerber (ed.)
Reviewed by Grant Barber

What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .

Read More >

The Hen Who Dreamed She Could Fly
The Hen Who Dreamed She Could Fly by Sun-mi Hwang
Reviewed by Chris Iacono

Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .

Read More >

Sankya
Sankya by Zakhar Prilepin
Reviewed by Kseniya Melnik

When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .

Read More >

Stalin is Dead
Stalin is Dead by Rachel Shihor
Reviewed by Tiffany Nichols

Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .

Read More >

Paradises
Paradises by Iosi Havilio
Reviewed by Andrea Reece

Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.

The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .

Read More >