13 June 12 | Will Evans

The latest review to our Reviews Section is a piece by Lucas Klein on Jonathan Stalling’s Yingelishi: Sinophonic English Poetry and Poetics, which is available from Counterpath Press.

Jonathan Stalling is an Assistant Professor of English Literature at the University of Oklahoma. He is the author of Poetics of Emptiness: Transformations of Asian Thought in American Poetry (Fordham University Press, 2010), and a co-editor of The Chinese Written Character as a Medium for Poetry, A Critical Edition (Fordham, 2008). He is also the author of a books of poetry GROTTO HEAVEN (Chax Press, 2010).

Here is part of his review:

If poets are, as P. B. Shelley wrote, “the unacknowledged legislators of the world,” then translation must be one of the unacknowledged legislators of poetry. Certainly translation of Chinese poetry has been essential to modern American writing: Ezra Pound’s Cathay didn’t just invent, as T. S. Eliot put it, “Chinese poetry for our time,” it invented the possibility within English for modes of writing recognizable as somehow Chinese. Poets as dissimilar as Charles Reznikoff and Stanley Kunitz, or Charles Wright and J. H. Prynne, have built careers inhabiting these modes; from Gary Snyder’s Mountains and Rivers Without End to John Ashbery’s Mountains and Rivers, we know Chinese whispers when we hear them in American poetry because we have read Chinese poetry in an English first invented by Pound.

Never mind the inaccuracies that have often come with translating poetry from Chinese to English; inaccuracies have been one of poetic translation’s more fruitful possibilities: Aramaic gamla may mean both “camel” and “rope,” but would we cite the Bible’s suspicion of the rich entering heaven if not for the striking surrealism of camels passing through needle-eyes? Or, in that case, mind the inaccuracies, because through them a kind of poetry is born. And this is the kind of poetry that Jonathan Stalling brings us with Yingelishi: Sinophonic English Poetry and Poetics.

Click here to read the entire review.


Comments are disabled for this article.
....
The Odyssey
The Odyssey by Homer
Reviewed by Peter Constantine

Now goddess, child of Zeus,
tell the old story for our modern times.

–(The Odyssey, Book I, line 10. Emily Wilson)

In literary translation of works from other eras, there are always two basic tasks that a translator needs. . .

Read More >

I Remember Nightfall
I Remember Nightfall by Marosa di Giorgio
Reviewed by Talia Franks

I Remember Nightfall by Marosa di Giorgio (trans. From the Spanish by Jeannine Marie Pitas) is a bilingual poetry volume in four parts, consisting of the poems “The History of Violets,” “Magnolia,” “The War of the Orchards,” and “The Native. . .

Read More >

Joyce y las gallinas
Joyce y las gallinas by Anna Ballbona
Reviewed by Brendan Riley

This review was originally published as a report on the book at New Spanish Books, and has been reprinted here with permission of the reviewer. The book was originally published in the Catalan by Anagrama as Joyce i les. . .

Read More >

Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >