17 July 12 | Aleksandra Fazlipour

The latest addition to our Reviews Section is a piece by Will Evans on László Krasznahorkai’s Satantango, which is translated from the Hungarian by George Szirtes and is available from New Directions.

Here’s part of his review:

Susan Sontag called László Krasznahorkai the “Hungarian master of the apocalypse,” which would make Satantango his magnum opus of the apocalypse. The end of the world is coming in a deluge of rain that is turning the world into a muddy wasteland that mirrors the spiritual condition of its inhabitants. Satantango is a novel about the end of the world that reflects on the everyday inner despair of humanity in the present day as much as in 1985 Hungary, when it was written.

It’s hard to fathom a novel as profound and globally-relevant as Satantango taking twenty-seven years to come out in an English translation. Not only was Satantango Krasznahorkai’s breakout debut novel, but it was turned into an infamous Belá Tarr movie in 1994—infamous because the film is seven and a half hours long, making Satantango officially the first novel I’ve ever read that took less time to read than to watch the movie—which gave Krasznahorkai a name in the realm of international literature. It’s a helluva movie, and I couldn’t help but think of the movie constantly the entire time I was reading the book, because Tarr and Krasznahorkai coexist in another artistic universe (Krasznahorkai has collaborated with Tarr on five movies, some adapted from his own novels, including “The Werckmeister Harmonies” adapted from The Melancholy of Resistance), and Tarr’s adaptation visually captures the mire and the human catastrophe that is at the heart of Satantango.

Click here to read his entire review.


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