The other day, PEN announced the winners of this year’s literary awards which range from the PEN/ESPN Award for Literary Sports Writing (which went to Dan Berry) to the PEN/Robert W. Bingham Prize for a debut work (which went to Vanessa Veselka).
There are also a number of translation-related awards handed out which may interest a number of you:
PEN Translation Prize ($3,000): For a book-length translation of prose into English published in 2011. Judges: Aron Aji, Donald Breckenridge, and Minna Proctor.
WINNER: Bill Johnston, Stone Upon Stone by Wiesław Myśliwski (Archipelago Books)
(Ed. Note: TOTALLY CALLED IT! Stone Upon Stone won the Best Translated Book Award back in MAY. It’s also kind of interesting that the BTBA prize money for this—$10,000 split between author and translator—is significantly higher than PEN’s prize. That makes me feel pretty cool ⋯ the BTBAs are legit, yo. And more importantly, y’all should buy a Bill Johnston t-shirt. I wear mine all the time.)
Sinan Antoon, In the Presence of Absence by Mahmoud Darwish (Archipelago Books)
(Ed. Note: What is this, an Archipelago party?)
Margaret Jull Costa, The Land at the End of the World by António Lobo Antunes (W.W. Norton)
(Ed. Note: I love this book.)
PEN/Ralph Manheim Medal for Translation: To a translator whose career has demonstrated a commitment to excellence through the body of his or her work. Selected by the PEN Translation Committee.
WINNER: Margaret Sayers Peden
PEN Award for Poetry in Translation ($3,000): For a book-length translation of poetry into English published in 2011. Judge: Christian Hawkey.
WINNER: Jen Hofer, Negro Marfil/Ivory Black by Myriam Moscona (Les Figues Press)
Mark Ford, New Impressions of Africa by Raymond Roussel (Princeton University Press)
Susanna Nied, Light, Grass, and Letter in April by Inger Christensen (New Directions)
PEN/Edward and Lily Tuck Award for Paraguayan Literature ($3,000): To the author of a major work of Paraguayan literature not yet translated into English. Judges: Nancy Festinger, Laura Healy, and Gregary Racz.
WINNER: Delfina Acosta, Versos de amor y de locura (Editorial Servilibro)
PEN Translation Fund Grants ($1,000-3,000): To support the translation of book-length works into English. Judges: Susan Bernofsky, Barbara Epler, Edwin Frank, Michael F. Moore,* Michael Reynolds, Richard Sieburth, Eliot Weinberger, and Natasha Wimmer. (*Non-voting chair of the PEN Translation Fund Advisory Council.)
Bernard Adams, A hóhér háza (The Hangman’s House), a novel by Hungarian writer Andrea Tompa (from Hungarian)
Alexander Booth, in felderlatein (in field latin), a collection of poems by German poet Lutz Seiler (from German)
Brent Edwards, L’Afrique fantôme (Phantom Africa), an ethnographic study with autobiographic elements by the French writer Michel Leiris (from French)
Joshua Daniel Edwin, kummerang (gloomerang), the first book by young German poet Dagmara Kraus (from German)
Musharraf Ali Farooqi, Hoshruba: The Prisoner of Batin, an epic fantasy based on oral tradition by Indian writers Muhammad Husain Jah and Ahmed Husain Qamar (from Urdu)
Deborah Garfinkle, Worm-Eaten Time: Poems from a Life Under Normalization, a collection of banned poems originally circulated in samizdat copies by Czech poet Pavel Šrut (from Czech)
Hillary Gulley, El fin de lo mismo (The End of the Same), a novel by Argentine writer Marcelo Cohen (from Spanish)
Bonnie Huie, Notes of a Crocodile, the groundbreaking queer novel by Taiwanese writer Qiu Miaojin (from Chinese)
Jacquelyn Pope, Hungerpots, a collection of poems by Dutch poet Hester Knibbe (from Dutch)
Matt Reeck and Aftab Ahmad, Mirages of the Mind, a novel by Pakistani writer Mushtaq Ahmad Yusufi (from Urdu)
Carrie Reed, Youyang zazu (Miscellaneous Morsels from Youyang), a compendium from the Tang Dynasty by Duan Chengshi (from Chinese)
Nathanaël, The Mausoleum of Lovers, French novelist and AIDS activists Hervé Guibert’s posthumously published collection of private journals (from French)
Also, a special shout-out to Siddhartha Deb, who received the PEN Open Book Award “for an exceptional work of literature by an author of color published in 2011” for his work The Beautiful and the Damned: A Portrait of the New India.
Congrats to everyone!
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .