The other day, PEN announced the winners of this year’s literary awards which range from the PEN/ESPN Award for Literary Sports Writing (which went to Dan Berry) to the PEN/Robert W. Bingham Prize for a debut work (which went to Vanessa Veselka).
There are also a number of translation-related awards handed out which may interest a number of you:
PEN Translation Prize ($3,000): For a book-length translation of prose into English published in 2011. Judges: Aron Aji, Donald Breckenridge, and Minna Proctor.
WINNER: Bill Johnston, Stone Upon Stone by Wiesław Myśliwski (Archipelago Books)
(Ed. Note: TOTALLY CALLED IT! Stone Upon Stone won the Best Translated Book Award back in MAY. It’s also kind of interesting that the BTBA prize money for this—$10,000 split between author and translator—is significantly higher than PEN’s prize. That makes me feel pretty cool ⋯ the BTBAs are legit, yo. And more importantly, y’all should buy a Bill Johnston t-shirt. I wear mine all the time.)
Sinan Antoon, In the Presence of Absence by Mahmoud Darwish (Archipelago Books)
(Ed. Note: What is this, an Archipelago party?)
Margaret Jull Costa, The Land at the End of the World by António Lobo Antunes (W.W. Norton)
(Ed. Note: I love this book.)
PEN/Ralph Manheim Medal for Translation: To a translator whose career has demonstrated a commitment to excellence through the body of his or her work. Selected by the PEN Translation Committee.
WINNER: Margaret Sayers Peden
PEN Award for Poetry in Translation ($3,000): For a book-length translation of poetry into English published in 2011. Judge: Christian Hawkey.
WINNER: Jen Hofer, Negro Marfil/Ivory Black by Myriam Moscona (Les Figues Press)
Mark Ford, New Impressions of Africa by Raymond Roussel (Princeton University Press)
Susanna Nied, Light, Grass, and Letter in April by Inger Christensen (New Directions)
PEN/Edward and Lily Tuck Award for Paraguayan Literature ($3,000): To the author of a major work of Paraguayan literature not yet translated into English. Judges: Nancy Festinger, Laura Healy, and Gregary Racz.
WINNER: Delfina Acosta, Versos de amor y de locura (Editorial Servilibro)
PEN Translation Fund Grants ($1,000-3,000): To support the translation of book-length works into English. Judges: Susan Bernofsky, Barbara Epler, Edwin Frank, Michael F. Moore,* Michael Reynolds, Richard Sieburth, Eliot Weinberger, and Natasha Wimmer. (*Non-voting chair of the PEN Translation Fund Advisory Council.)
Bernard Adams, A hóhér háza (The Hangman’s House), a novel by Hungarian writer Andrea Tompa (from Hungarian)
Alexander Booth, in felderlatein (in field latin), a collection of poems by German poet Lutz Seiler (from German)
Brent Edwards, L’Afrique fantôme (Phantom Africa), an ethnographic study with autobiographic elements by the French writer Michel Leiris (from French)
Joshua Daniel Edwin, kummerang (gloomerang), the first book by young German poet Dagmara Kraus (from German)
Musharraf Ali Farooqi, Hoshruba: The Prisoner of Batin, an epic fantasy based on oral tradition by Indian writers Muhammad Husain Jah and Ahmed Husain Qamar (from Urdu)
Deborah Garfinkle, Worm-Eaten Time: Poems from a Life Under Normalization, a collection of banned poems originally circulated in samizdat copies by Czech poet Pavel Šrut (from Czech)
Hillary Gulley, El fin de lo mismo (The End of the Same), a novel by Argentine writer Marcelo Cohen (from Spanish)
Bonnie Huie, Notes of a Crocodile, the groundbreaking queer novel by Taiwanese writer Qiu Miaojin (from Chinese)
Jacquelyn Pope, Hungerpots, a collection of poems by Dutch poet Hester Knibbe (from Dutch)
Matt Reeck and Aftab Ahmad, Mirages of the Mind, a novel by Pakistani writer Mushtaq Ahmad Yusufi (from Urdu)
Carrie Reed, Youyang zazu (Miscellaneous Morsels from Youyang), a compendium from the Tang Dynasty by Duan Chengshi (from Chinese)
Nathanaël, The Mausoleum of Lovers, French novelist and AIDS activists Hervé Guibert’s posthumously published collection of private journals (from French)
Also, a special shout-out to Siddhartha Deb, who received the PEN Open Book Award “for an exceptional work of literature by an author of color published in 2011” for his work The Beautiful and the Damned: A Portrait of the New India.
Congrats to everyone!
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .