The other day, PEN announced the winners of this year’s literary awards which range from the PEN/ESPN Award for Literary Sports Writing (which went to Dan Berry) to the PEN/Robert W. Bingham Prize for a debut work (which went to Vanessa Veselka).
There are also a number of translation-related awards handed out which may interest a number of you:
PEN Translation Prize ($3,000): For a book-length translation of prose into English published in 2011. Judges: Aron Aji, Donald Breckenridge, and Minna Proctor.
WINNER: Bill Johnston, Stone Upon Stone by Wiesław Myśliwski (Archipelago Books)
(Ed. Note: TOTALLY CALLED IT! Stone Upon Stone won the Best Translated Book Award back in MAY. It’s also kind of interesting that the BTBA prize money for this—$10,000 split between author and translator—is significantly higher than PEN’s prize. That makes me feel pretty cool ⋯ the BTBAs are legit, yo. And more importantly, y’all should buy a Bill Johnston t-shirt. I wear mine all the time.)
Sinan Antoon, In the Presence of Absence by Mahmoud Darwish (Archipelago Books)
(Ed. Note: What is this, an Archipelago party?)
Margaret Jull Costa, The Land at the End of the World by António Lobo Antunes (W.W. Norton)
(Ed. Note: I love this book.)
PEN/Ralph Manheim Medal for Translation: To a translator whose career has demonstrated a commitment to excellence through the body of his or her work. Selected by the PEN Translation Committee.
WINNER: Margaret Sayers Peden
PEN Award for Poetry in Translation ($3,000): For a book-length translation of poetry into English published in 2011. Judge: Christian Hawkey.
WINNER: Jen Hofer, Negro Marfil/Ivory Black by Myriam Moscona (Les Figues Press)
Mark Ford, New Impressions of Africa by Raymond Roussel (Princeton University Press)
Susanna Nied, Light, Grass, and Letter in April by Inger Christensen (New Directions)
PEN/Edward and Lily Tuck Award for Paraguayan Literature ($3,000): To the author of a major work of Paraguayan literature not yet translated into English. Judges: Nancy Festinger, Laura Healy, and Gregary Racz.
WINNER: Delfina Acosta, Versos de amor y de locura (Editorial Servilibro)
PEN Translation Fund Grants ($1,000-3,000): To support the translation of book-length works into English. Judges: Susan Bernofsky, Barbara Epler, Edwin Frank, Michael F. Moore,* Michael Reynolds, Richard Sieburth, Eliot Weinberger, and Natasha Wimmer. (*Non-voting chair of the PEN Translation Fund Advisory Council.)
Bernard Adams, A hóhér háza (The Hangman’s House), a novel by Hungarian writer Andrea Tompa (from Hungarian)
Alexander Booth, in felderlatein (in field latin), a collection of poems by German poet Lutz Seiler (from German)
Brent Edwards, L’Afrique fantôme (Phantom Africa), an ethnographic study with autobiographic elements by the French writer Michel Leiris (from French)
Joshua Daniel Edwin, kummerang (gloomerang), the first book by young German poet Dagmara Kraus (from German)
Musharraf Ali Farooqi, Hoshruba: The Prisoner of Batin, an epic fantasy based on oral tradition by Indian writers Muhammad Husain Jah and Ahmed Husain Qamar (from Urdu)
Deborah Garfinkle, Worm-Eaten Time: Poems from a Life Under Normalization, a collection of banned poems originally circulated in samizdat copies by Czech poet Pavel Šrut (from Czech)
Hillary Gulley, El fin de lo mismo (The End of the Same), a novel by Argentine writer Marcelo Cohen (from Spanish)
Bonnie Huie, Notes of a Crocodile, the groundbreaking queer novel by Taiwanese writer Qiu Miaojin (from Chinese)
Jacquelyn Pope, Hungerpots, a collection of poems by Dutch poet Hester Knibbe (from Dutch)
Matt Reeck and Aftab Ahmad, Mirages of the Mind, a novel by Pakistani writer Mushtaq Ahmad Yusufi (from Urdu)
Carrie Reed, Youyang zazu (Miscellaneous Morsels from Youyang), a compendium from the Tang Dynasty by Duan Chengshi (from Chinese)
Nathanaël, The Mausoleum of Lovers, French novelist and AIDS activists Hervé Guibert’s posthumously published collection of private journals (from French)
Also, a special shout-out to Siddhartha Deb, who received the PEN Open Book Award “for an exceptional work of literature by an author of color published in 2011” for his work The Beautiful and the Damned: A Portrait of the New India.
Congrats to everyone!
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .