One of the fall Open Letter titles that I’m most jacked about is Quim Monzó’s A Thousand Morons. I’ve been a huge fan of Monzó’s for a while now (maybe since I read, The Enormity of the Tragedy, I guess) and am so proud that we have him on our list. (If you want to check him out, I STRONGLY recommend checking out One Night which appeared in Guernica back in August.)
Anyway, to correspond with the release of this book, we’re going to be showing the movie version, A Thousand Fools, during ALTA. (To be specific, this will take place on Thursday, October 4th from 1:30 to 3:30 at The Little. And before the screening, translator Peter Bush will talk about Monzó, his work, and Catalan literature.)
There’s more to this event to share with you, but first, here’s a trailer:
OK, now thanks to the combined brilliance of George Carroll (our West Coast sales rep!), Paul Yamazaki (of City Lights), and Rick Simonson (of Elliott Bay), we’re going to be giving away t-shirts to promote this book. To be more accurate, we’ll be giving away one thousand t-shirts that look sort of like this (this is an low-res mock up):
And to drive home the promotional point of this, the back will be individually numbered, so each recipient will know exactly which “moron” he/she is:
So everyone coming to the showing during ALTA, all booksellers who are Open Letter fans, every single subscriber, bunches of friends, and any of you who email me can get your own free “Thousand Morons” t-shirt. The only criteria is that you take a picture of yourself wearing it and post it to our Facebook page. (You don’t have to do this, but it would be pretty awesome, and would make us feel loved.)
There you are: One more reason why you should come to ALTA.
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .