This is the third Atxaga book that Graywolf has published, the other two being Obabakoak and The Accordionist’s Son. All (?) of his other novels are available in English translation as well, including The Lone Man and the The Lone Woman, but aren’t technically for sale in the U.S.
Anyway, here’s a bit of the review:
In terms of the plot, Seven Houses in France is simultaneously very simple and very complex. (And never quite as clichéd as that sentence.) The novel opens with an information dump of a sentence that introduces the character upon which most of the main plot points will hang:
“Chrysostome Liège signed a contract to serve in King Léopold’s Force Publique at the beginning of 1903 and reached his posting in the Congo in August of the same year, having travelled by packet-boat from Antwerp to Matadi, by train as far as Léopoldville, and then, finally, on a small steamship, the Princess Clémentine, to the garrison of Yangambi.”
In Yangambi, Chrysostome will prove himself the best marksman and the most stoic (and moral) soldier of the Belgian empire. He’ll also meet a range of characters—Captain Lalande Biran, a sometimes poet who is smuggling mahogany and ivory into Europe to buy his fetching wife the seven houses in France she’s always wanted; Lieutenant Van Thiegel, who wants to make Mrs. Biran his 200th conquest of the sexual sort, and isn’t so amused by Chrysostome’s accuracy with a gun; Donatien, Captain Biran’s orderly, who seems always unsure of what the morally correct choice might be; and Livo, a local who works at the club serving the army folk, which, one can imagine, is a painful privilege, experiencing firsthand the contempt these soldiers have towards the local tribes, but also being able to steal crackers for his daughter—who will all play off one another in an intricate pattern that’s related in such a way that all of the happenings feel almost inevitable.
Not to give too much away—something that matters more for this book than others, since you’re most likely to get swept away in the plot than anything else—but Chrysostome and Van Thiegel get locked into a man-take-all sort of one-sided battle (Chysostome, who is pretty much the moral heart of this book, doesn’t really go for that dick-wagging sort of thing) that results in: rape, murder, poisoning, and a duel. That may sound like the basis for a made-for-TV-movie, but in Seven Houses in France it evolves in a way that, due in large part to Atxaga’s skill in crafting a compelling narrative, is so natural that it goes unquestioned.
To read the whole thing, just click here.
“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .
With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .
In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .
You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .
The narrative history of. . .
Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .
Alessandro Baricco’s Mr. Gwyn is a set of two loosely interlinked novellas that play with narrative and the construction of character. Ably translated by Ann Goldstein, Mr. Gwyn plays some subtle metafictional games as Baricco delves into what it means. . .
I must admit upfront that I went into reading Saadat Hasan Manto’s Bombay Stories almost entirely blind. I have not read Salman Rushdie. I have read, perhaps, two short stories by Jhumpa Lahiri. I might shamefully add that I really. . .
Throughout his work The Gray Notebook, Josep Pla mentions many different authors, some of whom have inspired him to pick up a pen. One of them is Marcel Proust. Even though Pla normally prefers nonfiction, he lauds the French novelist. . .
On that September 11th I had a conversation with a professor friend who was teaching a creative writing class that evening. He questioned, “What can I possibly teach when all of this has happened?” While the dismay and grief were. . .
In a story of two emotionally distant people, Japanese author Takashi Hiraide expertly evokes powerful feelings of love, loss, and friendship in his novel The Guest Cat. The life of the unnamed narrator and his wife, both writers, is calm. . .