And now here’s the second half of Friday’s events. Remember, you can read the whole ALTA preview by clicking here.
Friday, October 5th
3:15 – 4:30 pm
Humor & Speculative Fiction
What are some of the challenges specific to translating humor in speculative fiction? Panelists will discuss examples from the works of Russian satirist Mikhail Bulgakov, French novelist Antoine Volodine, Haitian American short story author Ibi Zoboi, and French writer and illustrator Guillaume Bianco.
Sara Armengot: Moderator
Iván Salinas: “Irony and Alternate Worlds in the Post-Exotic Work of Antoine Volodine”
Edward Gauvin: “Billy Fog and the Pleasures of Doggerel”
Lori Nolasco: “The Loogaroo Laughed in Spite of Herself: Translating Ibi Zoboi’s Survival Epic The Fire in Your Sky into French and Spanish”
Lenka Pánková: “And the Canadians Didn’t Laugh: Culturally Conditioned Humor in Mikhail Bulgakov’s The Master and Margarita in Translation”
Problems & Approaches in Translating Contemporary Polish Poetry
This panel explores problems particular to translating contemporary Polish and American poetry into English and Polish respectively. Topics will include interrogating the relative ignorance of the Polish language among translators now working in the U.S. and the UK; and the reciprocal influence between modern and contemporary Polish and Anglo-American poetry from the Soviet era and the New York School. A range of perspectives will be offered on these topics. Two panelists are native speakers of Polish who work in the U.S.; two are Americans with some knowledge of Polish; and the fifth is a Polish poet and scholar of American and Polish poetry.
Marit MacArthur: “Why (or Why Not) Collaborative Translation?”
Piotr Gwiazda: “Why (or Why Not) Collaborative Translation?”
Kacper Bartczak: “The New York School in Poland: Pragmatic Matters of Influence”
Piotr Florczyk: “Reading Polish Poetry in America”
William Martin: “On the Use and Abuse of Polish Poetry for America”
And remember, you can download the entire schedule here.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .