And now here’s the second half of Friday’s events. Remember, you can read the whole ALTA preview by clicking here.
Friday, October 5th
3:15 – 4:30 pm
Humor & Speculative Fiction
What are some of the challenges specific to translating humor in speculative fiction? Panelists will discuss examples from the works of Russian satirist Mikhail Bulgakov, French novelist Antoine Volodine, Haitian American short story author Ibi Zoboi, and French writer and illustrator Guillaume Bianco.
Sara Armengot: Moderator
Iván Salinas: “Irony and Alternate Worlds in the Post-Exotic Work of Antoine Volodine”
Edward Gauvin: “Billy Fog and the Pleasures of Doggerel”
Lori Nolasco: “The Loogaroo Laughed in Spite of Herself: Translating Ibi Zoboi’s Survival Epic The Fire in Your Sky into French and Spanish”
Lenka Pánková: “And the Canadians Didn’t Laugh: Culturally Conditioned Humor in Mikhail Bulgakov’s The Master and Margarita in Translation”
Problems & Approaches in Translating Contemporary Polish Poetry
This panel explores problems particular to translating contemporary Polish and American poetry into English and Polish respectively. Topics will include interrogating the relative ignorance of the Polish language among translators now working in the U.S. and the UK; and the reciprocal influence between modern and contemporary Polish and Anglo-American poetry from the Soviet era and the New York School. A range of perspectives will be offered on these topics. Two panelists are native speakers of Polish who work in the U.S.; two are Americans with some knowledge of Polish; and the fifth is a Polish poet and scholar of American and Polish poetry.
Marit MacArthur: “Why (or Why Not) Collaborative Translation?”
Piotr Gwiazda: “Why (or Why Not) Collaborative Translation?”
Kacper Bartczak: “The New York School in Poland: Pragmatic Matters of Influence”
Piotr Florczyk: “Reading Polish Poetry in America”
William Martin: “On the Use and Abuse of Polish Poetry for America”
And remember, you can download the entire schedule here.
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .