The entire weekend of activities was fantastic, due in part to the natural beauty of the Adirondacks (the conference took place at the Minnowbrook Conference Center which is gorgeous) and to all of the interesting literary people from throughout New York state who attended.
“New Leaders in Literature” was the focus of this conference, and the keynote speaker was Victoria J. Saunders, a consultant who does a lot with organizational transitions.
Being relatively young at a brand-new organization, Executive Director transitions isn’t really something I spend a lot of time thinking about. That said, I was the victim of so-called “Founder Syndrome,” so all of these discussions were pretty intriguing.
I won’t bore you with all the details, but the there were a couple of things that stood out that I found quite interesting. First off, it seems that all transitions are rocky. No matter how well planned, organizations always seem to run into some trouble, such as hiring the wrong replacement Executive Director, aving board issues, etc. Obviously, for the betterment of nonprofit organizations, it’s of great importance to focus on these issues and to figure out how best to transition from one ED to the next. Otherwise you end up with Paris Review scenarios, with Brigid Hughes being replaced months after stepping in after George Plimpton’s passing.
But that situation is what resonated most for me . . . So many nonprofits focus on longevity, literary legacies, how to transition to a new director with the same vision and fire, etc., but what is often overlooked is the way that some nonprofits spawn new, culturally important organizations. . . . A sort of “external transitioning” for lack of a better term.
For instance, Seven Stories has been a breeding ground for developing great new organizations. Jill Schoolman was working at Seven Stories when she started Archipelago Books, Violaine Huisman was doing foreign rights when she started her own literary agency. And I believe that Franctious Press is being headed up by Seven Stories employee(s).
Dan Simon deserves a lot of praise for encouraging and cultivating a new generation of literary leaders, and I’m sure that when the time comes, Seven Stories will be able to continue. But that may not be true for all organizations, and although this is hard to accept, for some, maybe they don’t need to continue beyond their original founder/director. As long as new literary leaders are being developed, starting new presses/organizations/events/initiatives and passionately promoting literature, I think things will be OK.
What I took away from this weekend is that in addition to looking for an adequate replacement, directors of admirable nonprofit organizations should focus on inspiring individuals to start new things. In other words, it’s worthwhile to broaden one’s focus to doing things that are good for the field as a whole in addition to focusing on what’s good for “my organization.”
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .