This week, Chad W. Post and Kaija Straumanis talk with Philip Graham — a co-founder and current nonfiction editor of Ninth Letter, author of several books, including The Moon, Come to Earth:Dispatches from Lisbon, — about Portuguese culture and literature, specifically the works of Gonçalo Tavares, whose book The Neighborhood is coming out this month with Philip’s introduction. (Which will appear here on Three Percent in the near future.)
There’s a lot of references included in the podcast this week, the main ones being to Sintra, an amazing town just outside of Lisbon that was once the playground of the aristocracy. It’s LOADED with castles and palaces and other intriguing estates.
The main stop is the Pena Palace which looks a little something like this:
Yes, this is a real place.
The part of Sintra I’m most obsessed with though is the Quinta de Regaleira, which you should really read about because it’s got all the intrigue AND underground tunnels that end in an “Initiation Well”:
Anyway, enjoy this podcast—I think it’s one of the best we’ve done.
And this week’s music is the suspension-building Intro by The xx.
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It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .