25 October 07 | Chad W. Post

Benjamin Ivry has a very interesting piece in today’s New York Sun on the new translation of Knut Hamsun’s Growth of the Soil:

“Growth of the Soil,” one of these later works, tells of a peasant, Isak, and his harelipped wife Inger, who strangles her infant daughter after she is born with her own harelip. Their life is narrated with Olympian disdain, but occasionally a kind of grudging admiration peeps through the irony: “Two lonely people, ill-favored and all too lusty, but a boon to each other, to the animals, and to the earth!” Hamsun juxtaposes scornful comments about Isak’s “dense naiveté” with sibylline observations like “The years pass quickly, do they? Yes, for the one who is growing old.” “Growth of the Soil” is as gloomy as anything written by the Belgian author Maurice Maeterlinck, and yet a posturing preface to the new edition by the American poet Brad Leithauser bizarrely likens “Growth of the Soil” to “Robinson Crusoe,” because both books supposedly extol “husbandry.”

I have a copy of this new Penguin edition, which I’m really looking forward to reading, despite the issues Ivry takes with the translation itself (which, to me, are all legit complaints):

Yet the new translation by Mr. Lyngstad has its own problems. With the lumpy, bruised prose rhythms of a non-native English speaker, the Penguin Classics translation has a cranky, pedantic air, such as when a “brooding ptarmigan” is repeatedly referred to; the 1920 translation refers to a “grouse,” a more recognizable term for non-ornithologists. Likewise, Mr. Lyngstad describes Inger as wearing “pattens,” whereas synonyms like “clogs,” “sandals,” and “overshoes” are more comprehensible for English readers. A homemade remedy is described as “old people’s theriac” instead of “cure-all” or “panacea.”

Still, as superficial as this may be, I’m interested in reading the Penguin Classics version because it’s so much prettier and reader-friendly than the crappy, dated-looking Vintage mass market edition.


Comments are disabled for this article.
....
The Little Horse
The Little Horse by Thorvald Steen
Reviewed by P. T. Smith

The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .

Read More >

Guys Like Me
Guys Like Me by Dominique Fabre
Reviewed by Peter Biello

We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .

Read More >

Birth of a Bridge
Birth of a Bridge by Maylis de Kerangal
Reviewed by Christopher Iacono

One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .

Read More >

Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >

The Madmen of Benghazi
The Madmen of Benghazi by Gerard de Villiers
Reviewed by P. T. Smith

Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .

Read More >

The Four Corners of Palermo
The Four Corners of Palermo by Giuseppe Di Piazza
Reviewed by Patience Haggin

The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .

Read More >

Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

Read More >

My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

Read More >