Next Tuesday we’re going to be hosting the second event of this year’s Reading the World Conversation Series—our annual event featuring four authors currently in residence at the Ledig House.
As one of—if not the—only residencies in the U.S. dedicated to international writing and literature, the Ledig House brings dozens of fantastic writers and translators to Omi, NY every year. It’s a gorgeous space, serving an excellent mission, and I’m really thankful that D.W. Gibson helps arrange this event every year so that we can help bring some extra attention to a few of the writers staying there.
Bios for the four authors involved in this year’s event can be found below, but just so I don’t bury the lede, here’s all the details about the event itself:
RTWCS: Ledig House Event
Tuesday, October 30th
Welles-Brown Room, Rush Rhees Library
University of Rochester
OK, and here are this year’s participants, each of whom will read a short bit of their work and then answer a few questions:
Saskya was raised in New Delhi by a German mother and Indian father. Educated at Berlin’s Free University and Columbia University, she holds an MFA in Fiction from Boston University, where she was the recipient of the Florence Engel Randall Award for Fiction and the Robert Pinsky Global Fellowship for travel to Iran. Her writing has appeared in Literary Imagination, Hyphen Magazine and The Baffler. Saskya is currently at work on her first novel.
F.G. (Francisco) Haghenbeck
Francisco was born in Mexico City and has worked as an architect, museum designer, freelance editor, and TV producer. He currently works full time writing novels and editing historical and comic books. Two of his books are available in English: Bitter Drink (AmazonCrossing) and _The Secret Book of Frida Kahlo (Atria). He loves eating his wife’s gourmet food, drinking cocktails, reading the noir novels of Raymond Chandler and, watching cartoons with his daughter, Arantza.
Andrés Felipe Solano
Andrés has published the novel Sálvame, Joe Louis, and has worked as features editor for SoHo Magazine. In 2007, he lived in Medellin, Colombia, where he rented a room in a notoriously violent neighborhood and worked in a factory for six months. Based on this experience, he wrote Seis meses con el salario mínimo, finalist for the prize awarded by the FNPI, chaired by Gabriel García Márquez. In 2010 Granta included him in their list of The Best of Young Spanish-Language Novelists. He is working on his second novel, The Cuervo Brothers.
Amanda’s first novel, The Sinkings, was published by UWA Publishing in 2008, followed by a short fiction collection, Inherited, in 2011. She has been awarded residencies at the Tasmanian Writers Centre (Australia), Hawthornden Castle (Scotland) and the Tyrone Guthrie Centre (Ireland). Amanda is an Adjunct Lecturer at Edith Cowan University in Perth. At Writers Omi, she will be working on a novella project.
And for all you Facebook users, you can find this event here where you can invite all your friends, etc.
Hope to see you there on Tuesday!
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .