I’m fully aware that the 2012 list of poetry books is woefully incomplete, so if you are a poet, or a translator of poetry, or a reader of the poetic form, PLEASE email me with info on all of the books that are not listed here. I’m going to go through the SPD catalog really carefully when I get back from Sharjah (yeah, really, I’ll explain later), but it’s SO much easier to get the info from all of you.
Since the poetry needs to be updated, I’m going to save any global comments about the state of literature in translation in the U.S. for a later post. It is worth noting that at this moment, I’ve identified 385 original1 translations published in 2012, compared to 370 in 2011—a 4% increase. This isn’t huge, but if we do identify 20-30 more poetry books, this could end up being closer to a 10% increase, which would be pretty significant.
Sticking to fiction though, there are 342 translated titles published in 2012, compared to 303 in 2011—a notable 13% increase. If you look at the top 10 publishers of translated fiction, they accounted for 107 books in 2011 (Dalkey 30; AmazonCrossing 17; Knopf 11; Europa 9; New Directions 9; Seagull Books 9; Houghton Mifflin Harcourt 8; New York Review Books 7; Open Letter 7) and 139 in 2012 (Dalkey 32; AmazonCrossing 25; Europa 14; Seagull 14; American University at Cairo 12; FSG 10; Other Press 10; Open Letter 8; Archipelago 7; New Directions 7).
There are a few changes in the most translated languages rankings . . . Here’s the list from 2011:
The one I’m most interested in watching over the next few years is Japanese. As we have yet to report, the Japanese Literature Publishing Project went kaputt over the summer, which is going to a huge blow to Dalkey Archive’s Japanese Literature Series and to several other presses. The number of titles published in the U.S. has already dropped from 23 to 13, and I wouldn’t at all be surprised if Japanese falls out of the top 10 in 2013.
Anyway, download the spreadsheet and take a look at all of the books and stats. If you find anything interesting, or know of titles that need to be added, just let me know, or post them in the comments below.
1 “Original” means that the book has never before appeared in any English translation at all. Even if a book was first translated in 1932, sold 7 copies, and was just rediscovered and translated anew in 2012, it won’t be included in this database. My goal in setting this up was to identify “new” voices/books that English readers never before had access to in any form.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .