Our next GoodReads Giveaway just went live—we’re going to be giving away 15 copies of Quim Monzó’s latest collection, A Thousand Morons. And not just that, we’re going to include a “Thousand Morons” t-shirt with each copy of the book . . .
(Speaking of our fantastic t-shirts, we’re going to start shipping these out en masse after Thanksgiving, so if you want one, simply buy a copy of the book and we’ll include it with your order. On a personal note, this has become my lucky t-shirt, and if you ever see me out at a bar watching a soccer match—like I will on Sunday when the Seattle Sounders will stage an amazing comeback and destroy the Galaxy—I’ll probably be wearing a bright orange t-shirt with a red bra on it. SEXY!)
Anyway, here’s what Publishers Weekly had to say about this collection in their STARRED REVIEW:
The latest from Catalan author Quim Monzó (Guadalajara) is a slender yet brilliant collection of stories that subvert the expected, embrace absurdity, and add profundity to the mundane. [. . .] Split into two parts—one containing longer prose, the other, flash fiction—and beautifully translated, Monzó’s 19 tales succeed so completely thanks to their curious view of the everyday. His is a world in which men become lost in existential thought while glancing out a window, where the Virgin Mary chooses to not bear a child, and where moments of hearty belly laughter are often trailed by gasps of horror.
So, enter below to try and win yourself a copy. (Or just buy it—it’s only $10.35, which is approximately half of a Starbucks coffee, and a thousand times as moron-y.)
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .