From The Guardian:
It is the book that Spaniards like to pretend they have read, though few really work their way through its two lengthy volumes. But now there is no excuse for not knowing the plot of Don Quixote de la Mancha, Miguel Cervantes’ 17th-century epic: the first animated version of the novel to make it into the cinema opens across Spain next week.
Ummm . . . great. I mean, it’s a good thing that more people will be familiar with one of the greatest books ever written, especially if the cartoon is reasonably faithful to the book . . .
The adventures of Don Quixote may take up hundreds of pages in Cervantes’ classic, but the film’s producers have by necessity played fast and loose with the story in their adaptation. Squeezing the novel into 80 minutes, it gives starring roles to Don Quixote’s trusty steed, Rocinante, and Sancho Panza’s donkey, Rucio – who bears a striking resemblance to the donkey from the successful Shrek series, voiced by Eddie Murphy.
Damn. Maybe it’s absolutely fantastic . . . More than likely that’s another $20 million that could’ve been spent in a better way.
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .