As he implies in the opening sentence—“I never had much luck with women”—the protagonist/narrator of Vila-Matas’s first book to be translated into English is a loner. Twenty-five years ago he was a writer, having written a book about the possibility of love, but at the start of this novel, he’s working in an office leading a rather dismal existence. His time in the office doesn’t last too long though, as he takes a vacation (which becomes permanent when he’s fired) to obsess about his book chronicling the “writers of the No.” His book—the same as the one you’re reading—is constructed from a series of footnotes detailing the Bartlebys of literature. The writers who decided to quit writing (like Felipe Alfau), those who quit because they went mad (Robert Walser), and those who incorporated the Bartleby ideal into their writing (Robert Musil). As the narrator catalogs these instances of Bartleby-ness in an obsessive, all-consuming fashion, telling their stories, relating entertaining, funny anecdotes, his story starts to creep in. A “writer of the No” himself, the narrator’s story fits right in among the encyclopedia he creates about other “No” writers. Suddenly, emerging from the entertaining and interesting catalog of writers and their stories, the reader gets a sense of the narrator’s overwhelming isolation. He only has one friend, one who claims that literature ended with Robert Musil, then Felisberto Hernandez. But he also has his book and the characters that inhabit it. It’s often said that literature is a solitary enterprise (both reading and writing it), but immersed in literature, one is surrounded by compatriots.

Bartleby & Co.
by Enrique Vila-Matas
Translated from the Spanish by Jonathan Dunne
New Directions
192 pp., $14.95 (pb)


Comments are disabled for this article.

....

Bartleby & Co.
By Enrique Vila-Matas
Translated by Jonathan Dunne
Reviewed by Chad W. Post
ISBN:
$
Death by Water by Kenzaburo Oe
Reviewed by Will Eells

Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .

Read More >

Twenty-One Cardinals
Twenty-One Cardinals by Jocelyne Saucier
Reviewed by Natalya Tausanovitch

Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .

Read More >

One of Us Is Sleeping
One of Us Is Sleeping by Josefine Klougart
Reviewed by Jeremy Garber

We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .

Read More >

Bye Bye Blondie
Bye Bye Blondie by Virginie Despentes
Reviewed by Emma Ramadan

Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .

Read More >

La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >