As he implies in the opening sentence—“I never had much luck with women”—the protagonist/narrator of Vila-Matas’s first book to be translated into English is a loner. Twenty-five years ago he was a writer, having written a book about the possibility of love, but at the start of this novel, he’s working in an office leading a rather dismal existence. His time in the office doesn’t last too long though, as he takes a vacation (which becomes permanent when he’s fired) to obsess about his book chronicling the “writers of the No.” His book—the same as the one you’re reading—is constructed from a series of footnotes detailing the Bartlebys of literature. The writers who decided to quit writing (like Felipe Alfau), those who quit because they went mad (Robert Walser), and those who incorporated the Bartleby ideal into their writing (Robert Musil). As the narrator catalogs these instances of Bartleby-ness in an obsessive, all-consuming fashion, telling their stories, relating entertaining, funny anecdotes, his story starts to creep in. A “writer of the No” himself, the narrator’s story fits right in among the encyclopedia he creates about other “No” writers. Suddenly, emerging from the entertaining and interesting catalog of writers and their stories, the reader gets a sense of the narrator’s overwhelming isolation. He only has one friend, one who claims that literature ended with Robert Musil, then Felisberto Hernandez. But he also has his book and the characters that inhabit it. It’s often said that literature is a solitary enterprise (both reading and writing it), but immersed in literature, one is surrounded by compatriots.

Bartleby & Co.
by Enrique Vila-Matas
Translated from the Spanish by Jonathan Dunne
New Directions
192 pp., $14.95 (pb)


Comments are disabled for this article.

....

Bartleby & Co.
By Enrique Vila-Matas
Translated by Jonathan Dunne
Reviewed by Chad W. Post
ISBN:
$
The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >

Nineteen Ways of Looking at Wang Wei
Nineteen Ways of Looking at Wang Wei by Eliot Weinberger
Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

Read More >